What is/was it?
And what a performance that is from one and all!Aha! That explains the underslung neck octave key on the soprano he's playing in this VIDEOWayne Shorter is now playing a Yanigasawa 991 bronze model as of 8 months ago.
Alto player from Pittsburgh, I think. One of the first guys to perform on a wind synthesizer.Thanks Pastmyprime... I haven't checked out Eric Kloss. Alto player?
that's THE SOUND!Regardless what Wayne uses now, I much prefer his Weather Report-era sound, with the slant sig. Link and the Mark VI. I like the oboe/English horn quality of the large-chamber Link he used. His sound seemed to fit his less-is-more playing style.
Hey unbalancedaction... just wanted to reply to your post... 4 years ago... lol.. Thanks for that info.. I ended up getting a 62. Not an RS, but I love it all the same.Wayne is using an old Slant Signature Otto Link for soprano (word is that its a 10*, but it could realistically measure anything), and he is a Yamaha artist - so his soprano changes depending on what he's helping them develop.
According to the Yamaha guys up here in Canada, Wayne is playing one of the prototypes for the Custom-Z soprano, which up until recently was based off the 875 scale. From what I was told, they were 90% going to release it like that, and Branford Marsalis had borrowed a 62RS (Bent neck, and silver plated) in Europe and came back to them saying - "This is what I want". Seeing as how Yamaha destroyed the tooling for the 62R, they have been working hard to reverse engineer it with some subtle changes (that's why we haven't seen the Z soprano).
Jaleel, contact Yamaha. If you try and buy a used 62RS, it will probably run you the better part of $3500 (and you won't be able to try before you buy if you buy online) when you can probably either A). get an endorsement from Yamaha, or B). wait for the new Z soprano to come out and it will be cheaper. Word on the street is that they are going to be pricing it low compared to the Yanagisawa and Selmer sopranos.
YOU sound great man!
There is another recent thread about Olivier Franc playing Summertime (in deliberately very Bechet style). Here is part of my attempt-at-humour response:-When I visited New Orleans in about 1990 when I worked at Citicorp, I visited the jazz museum there. The Bechet soprano on display there was clearly a Conn with the large ring for a thumb rest. It is possible that he had several horns over his years, as sopranos could be bought in pawn shops for little money. The two Buescher sopranos I've had were both about $10.
As I've seen in some very recent pictures he is playing a custom EX soprano silver plated with the curved neck. It has to be an Ex because it is the only Yamaha soprano with detachable necks. But, I do agree that he sounded best with the link and the mark VI soprano.
I was getting my tenor fixed by Emilio in Boston years ago and I spoke about wanting to try a Yani to replace my MVI. He let me try two he was working on. I loved them and remarked that they sounded so much like Wayne to me. He laughed and told me they actually were Wayne's horns!Re: Very nice album Mr. Shaw
Saw Wayne just hours ago in Melbourne. He got a standing ovation and an encore.
He was (from what I could see) playing a plain lacquered Yanigisawa 991 Curved neck soprano with his usual mouthpiece..
Sounded phenomenal.
Well, maybe he wanted to be sure what not to sound like, and thus went with Yamaha.Somewhat strange for me is the combination of a Shorter sound and Bechet sound in a single thread. It's hard for me to think of two soprano players that are so different.