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NoHype Audio Ribbon Mics

9.3K views 26 replies 8 participants last post by  mark_m  
Mmichel - these are really good mics. The guy who makes them REALLY knows what he's doing, and they compete with very nice ribbon mics that are much more expensive. I wouldn't hesitate to get one, particularly for the money. He sources a lot of the parts from Asia, I'm pretty sure, but he puts everything together himself in Belgium, and he's the real deal. He consults for companies who make much more expensive mics.

I'm personally more drawn to the more "vintage-sounding" LRM V. It seems modeled generally after the old-school long-ribbon RCA designs, and I love those on saxophone in particular. People who own the LRM-2B seem to generally love them, though, seems to maybe be more "modern."

The Samar Audio company has a really interesting and affordable ribbon, too. A bit more than the NoHype, but Samar typically makes pretty top-shelf stuff. Likewise, Cascade has been putting out good ribbons for not much money for a long time (I've heard people get great results out of the Fathead and Vin-Jet models).

It's a bit of a misconception that ribbons have to be expensive. I do love the AEA mics, which are essentially recreations of the old RCAs, but the technology in a ribbon mic is much less involved than in a good condenser. They can be made very well with less infrastructure.
 
From everything I've heard, it sounds like those MOTU pres are pretty damn good and clean. They seem to have really knocked it out of the park with that M4, looks like crazy good quality for the price.

For color in a gain-booster, the Soyuz Launcher looks pretty cool. Got some gooey transformer goodness that sounds real nice. I'd probably get that one if I were looking for an inline pre, but I like transformers quite a bit!
 
@mmichel - I haven't used all the ribbons I'd like to personally, so a lot of my perspective is from hearing shootouts and doing an unnecessarily gratuitous amount of geeky research. If I get my way, I'll be able to shoot out ALL these interesting mics in the reasonably near future (NoHype, AEA, Samar, Cascade, etc). But from what I understand, I think the LRM-V can be considered similar to the RCA 44 (or the modern equivalents like AEA 440 or R84): full-frequency but with a bit of a subdued top-end. The LRM-2B sounds like it's more linear, so a bit more top end without getting harsh, and that might be what you want.

I'm typically an LDC guy too, and I'm well-covered in that department, so I like a "vintagey" ribbon sound along the lines of the RCA 44. But all these long-ribbon mics take EQ extremely well, too, so you should be able to dial in a sound you like on any well-made ribbon mic without too much trouble.
 
Beautiful! I'd love to hear a shootout between that and the AT. Curious about how gain-hungry it is without the Fethead, too. Nice-looking mic, too.

I'm betting that with some subtle and judicious EQ you'll be able to make the ribbon sound like just about anything you like. But I'm keen to hear it unprocessed, for sure.
 
Awesome! I look forward to hearing your results. I think I'm probably gonna own one of each before too long. JP Gerard REALLY knows his stuff, and they're just too damn affordable.

All the shootouts I've heard between his LRM mics and high-end AEAs or RCAs have been very impressive indeed.