Sax on the Web Forum banner

Tips for replacing my Lebayle Studio 8*

2.1K views 12 replies 8 participants last post by  cp0811  
#1 ·
Hello there,

I currently play a lebayle studio on my the Martin tenor. I use this for basically every gig i play (brass band to commercial coverband).

Overall i still like the piece but when playing high notes the sound is very thin. Also it's not the best piece for altissimo work.

For my next mouthpiece i would like it to be a bit less bright and sound more full when playing higher notes.

I perform a lot of different music styles and would like to only use one piece because during gigs i don't have the time to change them.
with the coverband we go from elvis to avicii to Earth Wind & fire and back to Vengaboys so it needs to be versatile.

On my baritone i use a Theo Wanna Gaia but i would like to spend a bit less on my tenor piece.

I hope you can give me some tips.


Also my apologies for the quite bad english :):)
 
#2 ·
Welcome to the forum. :)

You will probably get all kinds of advice for another mouthpiece, which will not make it more clear for you. Also, what works well for another might not work well for you.

Are you sure that the thinner high notes are caused by the mouthpiece? The player can do a lot about that also, for instance by trying to open your throat a bit more for that register. A change in reed (slightly harder or another brand) could also help and is cheaper to try out.

Another solution could be to ask a (good) refacer to lower the baffle of your current piece a bit. But you have to be careful with that, because it will alter your current (main) piece in an irreversible way!
 
#5 ·
I know i have to decide on my own but i would love to hear some ideas about mp's i've probably never heard of.

I've tried opening the throat etc. but it remains. It happens with my teacher as well. And I have tried lots of different reeds.

BTW i prefer metal for mouthpieces becouse it has a slightly slimmer shape.
 
#3 ·
As Mrpeebee says you could get all kinds of suggestions.
If you like Lebayle pieces, though, you could try his AT or the LR, which are a couple steps down on the brightness scale. I've played both, and while powerful I don't think they get thin.
Any place where you are where you could try mouthpieces?
 
#10 ·
I'm not trying to be snarky here, but are you sure it's the mouthpiece? Do you have or have you used other mouthpieces that weren't thin at the top? What reed strength do you use? Softer reeds will often fail at the top end of the instrument. I don't think anyone mouthpiece can do it all for a player, I think the player has to also learn to play each mouthpiece.
 
#12 ·
That's not snarky at all and i understand this question since i'm only on this forum since the last two days. I did not have this problem on a friends Vandoren V16 with Vandoren ZZ in strength 3. I also don't have this on my baritone. I am the first to admit i can certainly improve parts of my playing (like everyone i guess) but i think this one could be not only my "fault"