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New Fantastic Tenor Sax Mouthpiece by Theo Wanne-Lakshmi Review

52K views 167 replies 43 participants last post by  liggy  
#1 ·
New Theo Wanne Lakshmi Tenor Sax Mouthpiece Review!!! Theo hit it out of the park with this one........
......In my opinion, the Theo Wanne Lakshmi 7* tenor saxophone mouthpiece is a terrific metal tenor saxophone mouthpiece for those looking for a classic, warm, hearty, focused, vintage Otto Link type tenor saxophone tone that can still be incredibly powerful. I honestly loved the warmth and tonal complexity, but what I loved along with it, was the power that I could get out of this Lakshmi tenor sax mouthpiece. This mouthpiece could take all of the air I could give it and produce an incredibly powerful tenor saxophone sound.
I really love this Theo Wanne Lakshmi tenor saxophone mouthpiece. I have to be honest, I have been looking for a mouthpiece like this for years. A mouthpiece that can give the warmth and complexity of tone of a "killer" Otto Link but also deliver the volume, power and focus that so many of us need in a modern setting. The Lakshmi doesn't do this by multiplying the brights with a high baffle like many mouthpieces do but by what I believe is a balance in the design that allows the Theo Wanne Lakshmi to really travel the path between the "classic" Otto Link sound but also deliver more power and focus than most Otto Link metal mouthpieces I have tried can deliver. Well done Theo Wanne! Check out the Full Review and Sound Clips......


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#14 ·
Really impressed by the unique design here. This definitely has some really cool things you can visibly see, on top of that unique baffle design with the chamber stepping into the lower baffle, combined with the upper step baffle. Here's what I was seeing that seems really intriguing (Steve, I stole your photos - hope thats okay! I can remove them and just talk about them if you want)

The sidewall has a sort of tunnel built into it that slowly widens down towards the chamber.

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The sidewall tunnel leads to a hollowed out sidewall to expand the chamber even further. That chamber must be pretty massive!
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Chamber narrows from the extra large to a medium size.
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Fascinating! I've not seen a design like that before, thought others may care to see it as well.
 
#42 ·
Really impressed by the unique design here. This definitely has some really cool things you can visibly see, on top of that unique baffle design with the chamber stepping into the lower baffle, combined with the upper step baffle. Here's what I was seeing that seems really intriguing (Steve, I stole your photos - hope thats okay! I can remove them and just talk about them if you want)

The sidewall has a sort of tunnel built into it that slowly widens down towards the chamber.

View attachment 129194

The sidewall tunnel leads to a hollowed out sidewall to expand the chamber even further. That chamber must be pretty massive!
View attachment 129193

Chamber narrows from the extra large to a medium size.
View attachment 129192

Fascinating! I've not seen a design like that before, thought others may care to see it as well.
It is very rare to find a new mouthpiece design shape not seen in past designs. This appear to be one.

That said, I think adding material on the interior sides or corners can have the same effect as adding material to the baffle. With experiment, two different looking interiors can sound the same.
 
#20 ·
#22 ·
Shelf baffles seem to be my favorite shape. I’ve only seen the idea in EB STMs and some of the early 80s STMs. I’ve always wished they’d bring it back.
Too bad he won’t put an actual bite plate on his mouthpieces.
What do you mean? There is a bite plate on the Theo Wanne metal mouthpieces…….


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#30 ·
The Ambika is darker than TWs other offerings, but the company’s overall leaning seems to be towards a brighter sound.

For a “large chamber, low baffle piece” the Ambika was brighter and less complex sounding than the Links, Morgans, Marmadukes, Francois Louis’, GetaSax Reso, Meyers, Bergs, Alexander…. Hell… even a Rico Graftonite A7 is warmer.

In fact, the only piece I’ve tried that was brighter than an Ambika is the Dukoff LD7 I bought here. But even the LD7 has more to like (in articulation, presence and sheer fun) than the TW piece.

I wonder what material TW uses for their hard rubber pieces as (to me) it just feels like plastic.
 
#31 ·
The Ambika is darker than TWs other offerings, but the company’s overall leaning seems to be towards a brighter sound.

For a “large chamber, low baffle piece” the Ambika was brighter and less complex sounding than the Links, Morgans, Marmadukes, Francois Louis’, GetaSax Reso, Meyers, Bergs, Alexander…. Hell… even a Rico Graftonite A7 is warmer.

In fact, the only piece I’ve tried that was brighter than an Ambika is the Dukoff LD7 I bought here. But even the LD7 has more to like (in articulation, presence and sheer fun) than the TW piece.

I wonder what material TW uses for their hard rubber pieces as (to me) it just feels like plastic.
Huh. So I get that Theo’s mpc aren’t a good match for you, but I find your comparison of a rico graftonite to be warmer than the Ambika a little hard to believe. To each their own I guess.
 
#47 ·
Possibly, I haven't had a chance to review either of those so can't speak about those. I imagine those pieces are more like great Otto Links in design as the baffles and chambers look more traditional. I do think the Lakshmi has it's own unique approach to that sound with a unique set of benefits to the way it plays and sounds.

I have a number of great playing metal Otto Links in my collection and usually when I review a mouthpiece that is similar in the way it plays and sounds to one I already have, I will sell the new one. I have reviewed a number of great pieces that blow like great Otto Links and sold them because I already have some great Otto Links....... The Lakshmi, in my mind, offers a set of unique attributes that are different enough from a great playing metal Otto Link that I can't see myself selling the Lakshmi. The top two attributes for me are the focus and core of tone that this piece delivers and the second one is the thickness and husky tone it delivers. My Otto Links deliver these in a variety of balances but the Lakshmi delivers them in what seems to me a perfect balance.
 
#58 ·
They really are. Especially given the ‘hard rubber’ pieces do not share the same physical characteristics as HR Bergs, Gerbers, 10Ms, Links, Meyers or any other HR piece I’m aware of. What material are they using?

I did shell out for a Baritone Durga, as the reviews are all stellar. I sold it months later.