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Any suggestions ?
I personally don’t know any repairer that would take on one willingly. My tech in Wellington NZ has grappled with a couple but it’s not a job he relishes. Do check out S Howard’s review of one on his bench if you haven’t already and you’ll see the pitfalls of its mechanics. And yes I do have one and it doesn’t get played too often. Nice enough horn but not one I’d want to be on full time. It’s on permanent loan to me from a classical clarinetist who bought it from the original owner in Italy. Original case mouthpiece neck strap etcAny suggestions ?
Amen - the issue of acrylic lifetime is important here. However robust the horns might have been when new, their material is now brittle. Any repair tech would be fighting aged material as well as inherent idiosyncrasies.The acrylic plastic these are made of is well passed their usual lifetime already. Like the Brilhart mouthpieces, these are not worth investing on, except for sentimental value. Graftons look nice in a display case. Sorry, I don't know anyone that would want to or could do a good job repairing these.
Agreed, the Vibratosax is absolutely not a serious, pro sax. Joe McPhee plays one and loves it, but he'd sound good on anything. For me it's almost impossible to play at all as the plastic is very soft and if you press a key with any pressure it will bend the pad and create leaks all over the place.One manufacturer only produced a plastic saxophone, Vibratosax, no other one, after the disappearance of Grafton (a vERY different saxophone, by the way!