Let's say you're playing Sister Sadie.. in bars 5-8 the chords go G7 G7/B l C7 C#o7 l G/D l D7#9 G7...this is a really common sequence, right? It's got that B...C...C#...D movement going on. What do you guys do here? I usually just spell the chords using different inversions and some leading tones, or use the "appropriate" scales on each chord, but I find that my playing gets real repetitious over several choruses. Is there something to blow over this whole thing so it doesn't sound so "blocky"; in other words, something that fits but doesn't emphasize the chord movement so much? Thanks in advance