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The reason I ask is that it didn't come with one, and it's larger than most metal pieces, but smaller than most rubber pieces, so none of the ligs I tried have fit. I've been using some 12 gauge copper wire wrapped around multiple times, and pushed on until snug. That ain't ideal, since I understand the table is concave, and it would be good for the lig to apply pressure in the middle.
Anyway, love this piece. I just started playing soprano on a used Selmer series III. I tried the Bari metal 7*, and rubber 64, 68, 70, Otto link vintage series rubber 7*, Jody Jazz HR* 7*, Morgan vintage 7*. I could only play in tune on the metal pieces for some reason. The Lebayle Studio 7* was the best in tune and has a very rich, lush sound that is very interesting, but still very pleasing. Great dynamics, and had the best, most versatile sound. Not a pure sound, like the Bari pieces.
Also, FYI, I tried to order the Jazz chamber model from GC/WWBW/Musicians Friend/Music 123/etc. , and they kept sending me the Studio model, since the package had both labels.
Never came with a ligature, and Lebayle's email bounces, so I could use some help finding one that fits...
Thanks guys.
Anyway, love this piece. I just started playing soprano on a used Selmer series III. I tried the Bari metal 7*, and rubber 64, 68, 70, Otto link vintage series rubber 7*, Jody Jazz HR* 7*, Morgan vintage 7*. I could only play in tune on the metal pieces for some reason. The Lebayle Studio 7* was the best in tune and has a very rich, lush sound that is very interesting, but still very pleasing. Great dynamics, and had the best, most versatile sound. Not a pure sound, like the Bari pieces.
Also, FYI, I tried to order the Jazz chamber model from GC/WWBW/Musicians Friend/Music 123/etc. , and they kept sending me the Studio model, since the package had both labels.
Never came with a ligature, and Lebayle's email bounces, so I could use some help finding one that fits...
Thanks guys.