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Used the search function, but couldn't find any info on this. I saw a for sale listing mentioning a Mark VII having an M tube. Are those the horns fabled to still be a Mark VI bore with Mark VII key work? If so, how can you tell?
 

· Distinguished SOTW Member, Forum Contributor 2012
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I don't think so.

Some believe M in a VII is more desirable.
Others say the M-N designation means nothing.

Conclusion on VII tenors : gotta play 'em.
What do you think?
 

· Distinguished SOTW Member/Forum Contributor 2012
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Billy Strayhorn: "Youuuuuu must take the M tuuuuube.... ". :geek::geek:
Sorry, it is 3:00 over here. Should be sleeping.
My beloved M7 says "M" for Monster.
 

· Distinguished SOTW Member, Forum Contributor 2012
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Dex you sound great on that MkVII tenor (as well as on the other saxes BTW)!
If memory serves right I read years ago from someone who asked Selmer that it had to do with the alloy, not the taper/bore. How about that for precise, tangible info? any rate it seems that the M type (whatever it refers to) precedes the N and I believe that QC at Selmer's for the first horns of a given new model is better (eg first SA80-I, first series III...). Anyway, in those days the horns were not shaped by robots, so try and compare before you buy.
 

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I just played a friend's VII tenor and it had an M before the serial. Is that where you see the designation?
Yes, and later ones have an N before the serial #.

Note to self: gotta play 'em.

Don't know when the N designation started.

My VII tenor is an M 282xxx (I think), which apparently is past some recommended cut off point for desirable VIIs,
by some who have posted.

It has the full French engraving, which apparently is also uncommon for a serial # this late, based on what I have read.
 

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There is probably no meaning to the M or the N. Selmer probably put them on there so that people would want one over the other, which would make certain ones more expensive, for no real reason other than a letter.
 

· Distinguished SOTW Member/MKVII fanatic/Forum Cont
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there is no difference in a VII with a M or a N before the serial number that I know of except that the M's were made earlier than the N's. the N's are the later production VII's. they both have the same bore, taper & keywork. some people think the M VII's are better. are they.....I dunno, never played one with the N.
 

· Distinguished SOTW Member/Logician
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Why don't we just make up some new Selmer lore? How about this one...

Many folks are well aware that Mark VII horns were no longer engraved midway through their run. This was of course due to their engraver's untimely death. A little known tidbit though, is he didn't go out alone. You see he was involved romantically with the guy who stamped the serial numbers and it was one of those murder/suicide nasty affairs. Though they couldn't immediately replace the engraver, they gave the stamp job to the guy who used to align the bell, bow and body. It was at this time that the new stamp guy mistakenly picked up the N stamp for sopranos and began using it on altos and tenors. Of course the guy who took over the bell, bow and body alignments left his own stamp as well, with his signature spacing between them. And the rest my friends is history...
 

· (formerly borganiboy)
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Well MKVI owners love there long tales of whats best about the brass,serial etc so let us M serial MKVII owners enjoy our M's.Mines sure great,must be that M mark on it.
 

· Distinguished SOTW Member/MKVII fanatic/Forum Cont
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actually Selmer USA stopped the engraving to be cheap & save money. the engraver didn't die. they had already stopped putting the blue around the S on the neck even on the later VI's. either the tariff import laws changed with the Super Action 80's or Selmer Paris got tired of them cheapening their horns & the Paris horns came then with the engraving & the blue S. I think the VII was the last horn from Selmer Paris that got assembled, lacquered & engraved here in the US. I got lucky with my early VII alto, it was new/old stock with the old honey gold lacquer, the American flower engraving, a darker navy blue around the neck S and a trey pac case. engraving won't help it play any better though, just looks nicer.
 

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I don't think the M's were made earlier than the N's. I've got an M284xxx with full engraving and blue S, which means the horn was produced in 1978, four years after the MKVII was introduced. Same thing for my friend's VII, which is also an M284xxx. I guess it only adds to the confusion...
 

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On clarinets Selmer Paris introduced letters on serial numbers since 1931, starting with L.
Every 10000 clarinets they increased. The M serie dates from 1939 to 1946. On clarinets, then, the letter only serves as a reference for the year of manufacturing and/or the model.
Selmer Paris saxophone's serial are sure longer than 5 digits so it makes sense that they just changed the letter later in history. On saxophones it seems that they decided not to start from scratch every letter serie, but to continue the increasing numbers.
Why and when they changed from N to M is ip to debate, but, considering that the same company did both clarinets and saxophones I'm inclined to think that it means absolutely nothing in term of horn quality...
 

· Out of Office
Grafton + TH & C alto || Naked Lady 10M || TT soprano || Martin Comm III
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My soprano and sopranino both have N numbers and they're both VI's (179K).

One of the funniest things I've read here over the years was when someone suggested the N stood for Nogales...
That is hilarious, everybody knows that:
M = More Gonads
N= No Gonads
 
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