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Discussion Starter · #1 ·
after practicing, Moonlight in Vermont came to my mind. So, just turned on recording and this what came up.

https://1drv.ms/u/s!Ar0t68kb42Tx312A38NQvPo1UOlQ?e=n9RHo4
 

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Tenor: Eastman 52nd St, Alto: P. Mauriat 67RDK, Soprano: Eastern Music Curvy
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Sorry it took so long, I couldn't listen while I was at work - blocked. Beautifully done! Love the soft tone you have throughout - really does the song justice. I can't think of this song without thinking of Sinatra, and you do it justice!
Jared, thanks for such a "generous" feedback... I know all the draws of my sound (even you didn't mention anything wrong)... I mentioned once that I have some "factor" during recording.
During many decades never had that on gigs of all sizes and importance (pay wise :) ). Even with some initially not satisfying reed after first tune I just forgot about concentration on sound. But when recording now some freaking sense of "responsibility" for SOTW not gives me to liberate from invisible "judge" and it makes instability sometimes and other stuff with my sound for which I am getting justified critics.

In opposite I love stability of your sound and always listen your tracks.
 

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Yes, the second link worked. I liked your version of MLIV. It's not easy to play at such a slow tempo. I like your dark tone as well. Keep up the good work!
Thanks for a positive feedback!
 

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Tenor: Eastman 52nd St, Alto: P. Mauriat 67RDK, Soprano: Eastern Music Curvy
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Jared, thanks for such a "generous" feedback... I know all the draws of my sound (even you didn't mention anything wrong)... I mentioned once that I have some "factor" during recording.
During many decades never had that on gigs of all sizes and importance (pay wise :) ). Even with some initially not satisfying reed after first tune I just forgot about concentration on sound. But when recording now some freaking sense of "responsibility" for SOTW not gives me to liberate from invisible "judge" and it makes instability sometimes and other stuff with my sound for which I am getting justified critics.

In opposite I love stability of your sound and always listen your tracks.
Its easier to criticize your own playing. I thought your tone was lovely! But thank you! I love to hear other SOTW members :)
 

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Bella ! I like it.
 

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Absolutely lovely playing Pobeda. Playing at such a slow tempo is very difficult. All that time to say something. And it’s not about swing at that tempo but about where your musical imagination can take you. It seems to be taking you to good places and I like that. I understand your responsibility to the invisible judgement as it affects most of us whether or not the invisible is sometimes visible as in a live audience but that is part of the performing arts be it a musician or artist or anyone else who offers up their work for others to listen to or look at etc Great job on this one. Alex
 

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Discussion Starter · #11 ·
Guido and Alex, thank you very much guys! Sure friendly words make feel good and encourage for a good work.
 
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