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I have my eye on a tenor with a very high serial number 370xxx Buffet-Crampon tenor and wondering if there is some kind of break point where they somehow "lost their mojo"?
Also, my only reference point is that I have a nice SDA alto that has great ergo and sound, except maybe some weakness in the upper end. So, can anyone tell me what to expect from a tenor that is NOT a SDA or S1?, or at least doesn;t seem to be one. I have a nice Pan Am and a Martin Indiana (just overhauled) as tenor references.
But, Im looking for that sweet spot. Pan Am is a bit too fat or dark or spread, Martin seem a bit "nervous" or edgy. Playing on a well modified OL Vintage with La Voz or Superial DC.
Any help or insight would be good. Did B-C make non-SDA/ S1 tenors in the early 90's?
Have a safe and happy New Year...!
ccasion:
Bill T
Also, my only reference point is that I have a nice SDA alto that has great ergo and sound, except maybe some weakness in the upper end. So, can anyone tell me what to expect from a tenor that is NOT a SDA or S1?, or at least doesn;t seem to be one. I have a nice Pan Am and a Martin Indiana (just overhauled) as tenor references.
But, Im looking for that sweet spot. Pan Am is a bit too fat or dark or spread, Martin seem a bit "nervous" or edgy. Playing on a well modified OL Vintage with La Voz or Superial DC.
Any help or insight would be good. Did B-C make non-SDA/ S1 tenors in the early 90's?
Have a safe and happy New Year...!
Bill T