Back To Warne -
Ever read the book on him " Unsung Cat" ??
Check it.
also more Warne links ;
http://davidvaldez.blogspot.com/2007/05/warne-marsh-plays-abersold.html
http://www.mystrands.com/artist/1581/biography
http://www.rhapsody.com/warnemarsh
I'd suggest trying to find everything about Warne you can, not so much for the vibe of being a collection...but...more so education in the direction of a unique artist. He had a sound and a conception. Roots in the greats for sure,
but there will be nobody ever like him again.
He was a very good pianist too. And visionary in jazz. Warne had a sound that was WARNE, there are very few cats these days with an instantly recognizable individual sound-this to be especially true with saxophonists. It is really surprising because the saxophone is built for original sound. Listen to " Jaws" or " Prez" or " Hawk" or " Warne" or " Stan" . You'll hear the answer!
I find too many players have taken the elements of individuality via personal expression out of their sounds or music. They are so intent on what horn or mouthpiece a hero/fav' player uses that all else becomes lost. The actual personality in YOUR sound on the instrument has to be yours because that is the first thing someone hears.
Study of a master like Warne Marsh or Dexter, Bud Powell, Bach, Prez, Bird, Bill Evans, Horace Silver, Harold Land, Art Pepper and others is vital to your education as a saxophonist/musical traveler.Originality and understanding of where the music comes from is as important as anything.
Check out Warne. If you study Warne and Dexter Gordon and Prez and Hawk you'll have some real inspiration and information in your mind. Go ahead on with it!!
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