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I visited a small second hand music store that has over 100 Saxophones yesterday. I will share the info on the forum about the store after I try and close this deal and maybe another.
The store has a Yanagisawa S-6 soprano just like mine and the sax is in a Walt Johnson case. I expected a much higher value Yanagisawa in the case. So I asked if I could buy the case alone and offered $200. The guy countered with $250. I have no idea what the actual price point is for a soprano Walt Johnson nowadays.

*****YES, I used the search function******

I see more alto and tenor cases being discussed as well as found some things online very expensive.
For the Walt Johnson experts, how is this deal? Should I try and ask for lower or should I jump on it how it is?

Thanks!
 

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Dr. G, where can I learn about whether it is an older construction or not?
Whew, I cannot help you with that one, Andre. I don't know. There was chatter about their move, but I don't know identifying details.
 

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Discussion Starter · #11 ·
I did not end up getting it because I didn’t know what I was buying.
The store had about eight mark VI tenors (all late aerial), one late serial VI alto and an SBA, two King Super 20s with one being silver sonic with full pearls. Then there were also two older Yany altos. Many more martin and other vintage altos and tenors. Everything seemed to be reasonably priced and I was confused how I had never heard of the shop. Horntrader in Oklahoma City.
 

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$250.00 for a Walt Johnson case of any kind, in my opinion, is $249.00 too much. There is a reason Walt is no longer in business making cases. The cases are glorified garbage bags.

About six months after my Walt Johnson case broke and, as a result, bent my Baritone Sax in 8 different places, I sold it for $200.00. The guy who bought it from me kept it for six weeks before tossing it.

The ones marked "Selmer" were made for Selmer in Mexico with the cheapest material known to man as a way to keep Walt in business. It bought him about 10 years.

No one is really looking for these cases any more with BAM, Wiseman, SKB, and Hefti garbage bags making far superior cases to anything Walt Johnson ever made.
 

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$250.00 for a Walt Johnson case of any kind, in my opinion, is $249.00 too much. There is a reason Walt is no longer in business making cases. The cases are glorified garbage bags.

About six months after my Walt Johnson case broke and, as a result, bent my Baritone Sax in 8 different places, I sold it for $200.00. The guy who bought it from me kept it for six weeks before tossing it.

The ones marked "Selmer" were made for Selmer in Mexico with the cheapest material known to man as a way to keep Walt in business. It bought him about 10 years.

No one is really looking for these cases any more with BAM, Wiseman, SKB, and Hefti garbage bags making far superior cases to anything Walt Johnson ever made.
... in your opinion.

My Corona WJ tenor case is my favorite case ever, except for its slightly excessive weight for a tenor case. It has just the exact amount of storage for my needs and it's been protecting my Mark VI tenor very well for close to 20 years. I had a Soprano case once and sold it with the horn, regrettably. That case was just perfect, and because of its smaller size, weight was not a problem.

BAM is in the same zip code. Wiseman, SKB are far inferior, while still reasonable cases ... in my opinion.
 

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$250.00 for a Walt Johnson case of any kind, in my opinion, is $249.00 too much. There is a reason Walt is no longer in business making cases. The cases are glorified garbage bags.

About six months after my Walt Johnson case broke and, as a result, bent my Baritone Sax in 8 different places, I sold it for $200.00. The guy who bought it from me kept it for six weeks before tossing it.

The ones marked "Selmer" were made for Selmer in Mexico with the cheapest material known to man as a way to keep Walt in business. It bought him about 10 years.

No one is really looking for these cases any more with BAM, Wiseman, SKB, and Hefti garbage bags making far superior cases to anything Walt Johnson ever made.
Not sure where your information comes from but my WJ Case (made for Selmer) is identical to the Corona made cases in every respect.
 

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No idea how a Walt Johnson case could just break and cause a sax to be bent in 8 places unless maybe a car was driven over it.

My tenor case is a strong walled case with a full heavy-duty piano hinge, metal feet secured by 4 rivets each, and the best twist-lock latches on any case I've owned. Heavy, yes; but really compact. And no, I'm not selling it.
 

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I believe there were quite a few reports years ago about the shell of the case actually flexing inward first and causing damage to the horn...and then rebounding back to normal shape so it looked like there was no actual case damage, but the inside of the horn was mangled.

Someone correct me if I am wrong on the details, but to my memory there were a few prominent members here reporting similar incidents and advising others away from WJ cases.

- Saxaholic
 

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Keeping your instrument out of the sun or not in a super-heated or freezing car trunk will help protect it, no matter what type of case or bag it's in. I can see temperature extremes affecting a composite's shape. Not sure what else could do such a thing.

But so that the material exerts enough force to damage the sax? Really? And then magically returns to perfect shape? Are the tellers of this tale by any chance Klangbogen users?
 

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I believe there were quite a few reports years ago about the shell of the case actually flexing inward first and causing damage to the horn...and then rebounding back to normal shape so it looked like there was no actual case damage, but the inside of the horn was mangled.

Someone correct me if I am wrong on the details, but to my memory there were a few prominent members here reporting similar incidents and advising others away from WJ cases.

- Saxaholic
This is exactly what happened to my Yamaha 62 Baritone Saxophone. The D Ring on the case strap sheared in not one but two places. It was a clean cut across the metal. No stress. Just a clean shear. My sax was bent forward in three spots and bent to the side in five spots. The left hand C key was two inches higher than it should have been. There was zero damage to the case. I called Walt Johnson and talked to his then wife who promised me the company would do something to help me the repairs which were twice the cost of the case. Walt refused to do anything claiming that the case was not at fault, that it was not his problem since he did not personally make the case, and claimed that he had no say in quality control of his cases or say in their manufacture. He then told me I was free to go on the internet and tell my story.

Since that day, I have heard many stories from my repairman and others telling me of similar incidents happening with Tenor, Alto, and Soprano saxes in Walt Johnson cases. I have seen saxophones destroyed in Walt Johnson cases due to the instrument falling from a small height while in the case.

I was standing still talking to a member of a band I was playing in at the time when the D Ring on the hook on the case strap broke. It was a very clean break. Walt Johnson and his cases are a fraud. He never stood behind his cases. He never cared about the idiots, like me, who thought his cases were good, trustworthy cases.

It took six months to fix my sax. It required a great deal of work to straighten the body, realign the keys and pads, and smooth out the creases. I lost about thirty-five gigs during that time because I did not have a Baritone Sax.

Dennis Bamber at Woodwind and Brasswind sent me some reeds when I called him to tell him what happened. I had bought the case from WWBW. This was before Walt Johnson made his deal with Selmer. When I talked to the Selmer rep, Boosey and Hawks rep, and any one else I could find at the various trade shows and Music Festivals that year, most reconsidered doing business with Walt Johnson.

Buy a Walt Johnson Case at your own risk. There will not be a single person who will stand behind the case when it fails including Walt Johnson himself.

My experience cost me over $1,000.00 when it was all said and done. That included the cost of the case, the repairs and adjustments to my sax, the loss I took on selling the case, and the cost to replace the small items that were also broken when the case hit the deck.

Since that time, Walt Johnson divorced the wife who promised me Walt Johnson would do something to make this right and his company is gone. All I have to say is Good Riddance to Bad Rubbish!
 

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This is exactly what happened to my Yamaha 62 Baritone Saxophone. The D Ring on the case strap sheared in not one but two places. It was a clean cut across the metal. No stress. Just a clean shear. My sax was bent forward in three spots and bent to the side in five spots. The left hand C key was two inches higher than it should have been. There was zero damage to the case. I called Walt Johnson and talked to his then wife who promised me the company would do something to help me the repairs which were twice the cost of the case. Walt refused to do anything claiming that the case was not at fault, that it was not his problem since he did not personally make the case, and claimed that he had no say in quality control of his cases or say in their manufacture. He then told me I was free to go on the internet and tell my story.

Since that day, I have heard many stories from my repairman and others telling me of similar incidents happening with Tenor, Alto, and Soprano saxes in Walt Johnson cases. I have seen saxophones destroyed in Walt Johnson cases due to the instrument falling from a small height while in the case.

I was standing still talking to a member of a band I was playing in at the time when the D Ring on the hook on the case strap broke. It was a very clean break. Walt Johnson and his cases are a fraud. He never stood behind his cases. He never cared about the idiots, like me, who thought his cases were good, trustworthy cases.

It took six months to fix my sax. It required a great deal of work to straighten the body, realign the keys and pads, and smooth out the creases. I lost about thirty-five gigs during that time because I did not have a Baritone Sax.

Dennis Bamber at Woodwind and Brasswind sent me some reeds when I called him to tell him what happened. I had bought the case from WWBW. This was before Walt Johnson made his deal with Selmer. When I talked to the Selmer rep, Boosey and Hawks rep, and any one else I could find at the various trade shows and Music Festivals that year, most reconsidered doing business with Walt Johnson.

Buy a Walt Johnson Case at your own risk. There will not be a single person who will stand behind the case when it fails including Walt Johnson himself.

My experience cost me over $1,000.00 when it was all said and done. That included the cost of the case, the repairs and adjustments to my sax, the loss I took on selling the case, and the cost to replace the small items that were also broken when the case hit the deck.

Since that time, Walt Johnson divorced the wife who promised me Walt Johnson would do something to make this right and his company is gone. All I have to say is Good Riddance to Bad Rubbish!
So, before the case dropped from the staggering height of two or three feet, leaving the case intact but completely destroying your saxophone, how did you like the case?
 
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