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Hey all,
So later tonight after work I am heading out to a local jam with my much better half to drink and make music. Its a great little venue, actually a Johnny Cash tribute bar called "A Bar Named Sue."
Anyway, no electrics or distortion, but still a standard three piece and I used to play in a band with two of the hosts so we have some vocabulary. On Soprano I find myself most often playing the guitar leads (Jimmy Page and Jimi Hendrix are a couple of cats I have serious repsect for!).
(...btw...Since I've Been Loving You from Zeppelin III is an amazing song for a Soprano to take over the intro duties on!)
And now I have been asked to play the soloist guitar parts (including the trademark intro and such) of Voodoo Chile so my girlfriend can sing the song and the whole thing will turn into some kind of bluegrass-acid fusion thing.
Any ideas on how I can approach trying to do some of the bendy/gnarly/thickeningexplosive stuff without any kind of amplification or effects pedals?
LOL...this is going to be fun.
So later tonight after work I am heading out to a local jam with my much better half to drink and make music. Its a great little venue, actually a Johnny Cash tribute bar called "A Bar Named Sue."
Anyway, no electrics or distortion, but still a standard three piece and I used to play in a band with two of the hosts so we have some vocabulary. On Soprano I find myself most often playing the guitar leads (Jimmy Page and Jimi Hendrix are a couple of cats I have serious repsect for!).
(...btw...Since I've Been Loving You from Zeppelin III is an amazing song for a Soprano to take over the intro duties on!)
And now I have been asked to play the soloist guitar parts (including the trademark intro and such) of Voodoo Chile so my girlfriend can sing the song and the whole thing will turn into some kind of bluegrass-acid fusion thing.
Any ideas on how I can approach trying to do some of the bendy/gnarly/thickeningexplosive stuff without any kind of amplification or effects pedals?
LOL...this is going to be fun.