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Discussion Starter · #7 ·
Not sure where that one landed, but there wasn't a difference between the necks...
Late NWI...

Actually, I have a couple (too many) NWI and NWII Altos and there is a difference between the length of the necks--at least on some of them. Assuming that is what you're referring too. I smell an excuse to break out the calipers!
 

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Discussion Starter · #9 ·
Well it arrived dirty and in need of a thorough cleaning and overhaul (pads too) but the body is straight, keys/pearls all present and disassembled relatively easily. Missing about half of it's set screws, which is about par for the course for one of these. Gold plate is not perfect but 95% intact.
 

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These portrait engraving were custom made and occasionally may have been representing some people from photographs.

I think that the subject of the engraving, the woman with a Bear, tiger or lion head, could have been taken from a photograph (someone well known? someone known to the person who commissioned the engraving?) it is to specific to be a " generic" woman figure (why the lion head otherwise?).

This blog may help you to find out more about it and maybe also the name of the engravers

http://momie.org/cgconnartistengravedportraitinstruments.html

Contact Us
410 Jericho Turnpike
New Hyde Park, NY , 11040
USA
Phone: 516-352-4070
Email: [email protected]

".Conn Artist engraved "portrait" instruments

The museum of musical instrument engraving maintains both a virtual collection of images culled from collections all over the world as well as a physical collection of more than 100 different examples of the engravers art.
We have over 40 examples of the instruments known as Conn portrait engraved or Conn artist engraved. We believe this to be the largest assembled collection of these rare gold plated instruments in the world.

Most of the Conn artist engraved instruments were manufactured in the 1920's
The 1920's were the hay-day of the engraved musical instrument. Companies created these highly stylized instruments as show pieces of their instrument lines. Well to do customers purchased these instruments as show pieces. Many elaboratly engraved instruments were created for exhibitions and for members of traveling concert bands of the day and considered as trophies of their manufacturing ability.
The engraving on many of these instruments that were built by CG Conn during the period were attributed to the two brothers Charles "Doc" & Julius Stenberg. Charles Stenberg worked at Conn for a staggering 72 years his brother Julius for 64 years. Careful study of dozens of these Conn instruments leads me to believe that the Stenbergs were not the only engravers to produce these instruments. Variations in lettering, scroll and flower styles and the faces of the engraved subjects suggest tat there were several engravers capable of this level of artistry.
Conn new wonder saxophones came with the choice of several finishes ranging from raw polished brass , nickel pate, satin silver plae , gold plate and burnished (shiny) gold plate. Portrait engraving is seen rarely on silver plated instruments. Most Conn artist engraved instruments were sold in gold plated finish.
I have so far identified close to 50 different images. Ladies profiles were the most common...."



 

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Discussion Starter · #15 ·
Thanks for the pics...I googled some stuff up a couple of days ago to see if there was some obvious/iconic photos for bearskin or lion/tiger skin rugs from the 20's where the center portrait was modeled from. Coincidentally, I provided a link to the same google photo album to Ray through facebook about 30 minutes ago.
 
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