Tenors Mark VI, SBA, T990, T880, YTS 62 stamped logo silver, SML Gold Medal, Bari: Yani B6
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55 Posts
I have been lucky in the past and bought 2 otto Link Tenor Tone Edge Mouthpieces (together with some a Lawton Tenor and a Soloist Soprano and 2 clarinet mouthpieces) - one Slant Sig with a 10 Tip opening and one Straight Sig with a 9 Opening. (I can provide pics of course)
I had sent pictures to Theo Wanne and he was so nice and gave me his opinion - as I feared that they were just one of these counterfeit pieces (especially since I did'nt know that Link produced Slant Sigs in a 10 opening).
Theo said from looking at the pictures he believes them to be a late transitional Florida Slant Sig and a Early Babbit. They do smell like rubber when I rub the shank.
They both play ok as they are although I believe the table of the EB is probably not completely flat and I believe both could play even better. The "plop test" for the Slant works well, for the EB it works well in some positions of the ligature, in others not so.
I do like the sound that I get out of both of them, but the 10 (Slant Sig) is definitely too open for me and the 9 also feels more open than I feel comfortable with. I can play it with a strength 3 reed but I get tired quicker.
I normally play a Marantz SL in an 8 opening or a James Bunte ARC in 8 opening.
I wonder if I should have the mouthpieces refaced (in order to decide if I want to play them or then sell them) or if I would destroy their value by having them refaced.
An additional complication on my side is that I live in Munich - and I would probably wnat to have them refaced - maybe by Matt Marantz in the USA, other recommendations are welcome of course.
Sending the mpcs to the USA would mean a lot of customs formalities for me which I am not very keen on (although I have not exactly clarified this yet).
So it comes down to the question - would I destroy their value by having them refaced?
I'd be happy to get valuable information or insight.
Thanks
I had sent pictures to Theo Wanne and he was so nice and gave me his opinion - as I feared that they were just one of these counterfeit pieces (especially since I did'nt know that Link produced Slant Sigs in a 10 opening).
Theo said from looking at the pictures he believes them to be a late transitional Florida Slant Sig and a Early Babbit. They do smell like rubber when I rub the shank.
They both play ok as they are although I believe the table of the EB is probably not completely flat and I believe both could play even better. The "plop test" for the Slant works well, for the EB it works well in some positions of the ligature, in others not so.
I do like the sound that I get out of both of them, but the 10 (Slant Sig) is definitely too open for me and the 9 also feels more open than I feel comfortable with. I can play it with a strength 3 reed but I get tired quicker.
I normally play a Marantz SL in an 8 opening or a James Bunte ARC in 8 opening.
I wonder if I should have the mouthpieces refaced (in order to decide if I want to play them or then sell them) or if I would destroy their value by having them refaced.
An additional complication on my side is that I live in Munich - and I would probably wnat to have them refaced - maybe by Matt Marantz in the USA, other recommendations are welcome of course.
Sending the mpcs to the USA would mean a lot of customs formalities for me which I am not very keen on (although I have not exactly clarified this yet).
So it comes down to the question - would I destroy their value by having them refaced?
I'd be happy to get valuable information or insight.
Thanks