Distinguished SOTW Member, Forum Contributor 2014
Does anyone happen to know what it is? Further, has he used the same tenor throughout his career? I'm wondering since I've come across several early to mid-1960's examples of the tenor that just had an exceptionally responsive altissimo register. I'm not saying that these tenors made me do anything that I couldn't do on any decent tenor, but they most certainly made the job noticeably easier up high. I'm wondering if Mr. Pickett, or anyone else here, has noticed the same thing.