Distinguished SOTW Member, Forum Contributor 2014
Super Action 80 Tenor, Yamaha Vito YAS-21 prototype, Kessler Soprano, Superba II Bari, Fender J-Bass
Does anyone happen to know what it is? Further, has he used the same tenor throughout his career? I'm wondering since I've come across several early to mid-1960's examples of the tenor that just had an exceptionally responsive altissimo register. I'm not saying that these tenors made me do anything that I couldn't do on any decent tenor, but they most certainly made the job noticeably easier up high. I'm wondering if Mr. Pickett, or anyone else here, has noticed the same thing.