Private seller. Yeah there's that and an sx90 for 5K. I'm looking for a Bb. I'd buy one of those and trade it for a Bb one... But there's more of the low A's around. Even with VI's right now, it's weird. And everyone's got prices jacked way up from where they were a year ago or less. I dunna get it.From a dealer or by owner? I'm going with 3k final answer. I'm not an expert, I'm just curious to see if I guess right. I see a shop is selling an immaculate one for 5 on Reverb. I think the last one I saw was 3400.
Not bad guesstimates there, a Low A at a shop $3000-3400 is believable/not eyebrow-raising.From a dealer or by owner? I'm going with 3k final answer. I'm not an expert, I'm just curious to see if I guess right. I see a shop is selling an immaculate one for 5 on Reverb. I think the last one I saw was 3400.
The Heritage is a slightly different beast than the King Tempos, Bundy Specials, etc, though.I think the prices of the new baritones are driving up the values of the Couf models. The Keilwerth stencil models like the Conn, King Tempo and the Armstrong Heritage are real sleepers in the market place.
Right, sounds like you want a Low Bb with modern-esque ergos. That's a tall order if you don't wanna succumb to the absurd VI pricetags. Keilwerth stencils are an obvious choice, as they move in that modern direction.Private seller. Yeah there's that and an sx90 for 5K. I'm looking for a Bb. I'd buy one of those and trade it for a Bb one... But there's more of the low A's around. Even with VI's right now, it's weird. And everyone's got prices jacked way up from where they were a year ago or less. I dunna get it.
like the thoman lowJazz?It'd be interesting IF a contemporary maker of repute....Yama, Yani, even Jupiter or Buffet or Mauriat or Cannonball or Eastman, or even a slightly less-reputed/track-record boutique maker but one still held in some regard (Kessler, Barone for instance)....introduced a Low Bb to the market.
If you're going for a Bb, does it need to be a Superba?
Doesn't need to be a Superba by any means. Looking at all the Keilwerth variants because I find the truly modern finger spacings a little close for me, 'though I had a VI bari briefly and could deal with that. I had trouble with the left cluster but could learn it I'm sure.I think the prices of the new baritones are driving up the values of the Couf models. The Keilwerth stencil models like the Conn, King Tempo and the Armstrong Heritage are real sleepers in the market place.
Keilwerth makes a Bb SX90. Special order, $9K or so. I'd spring for it but I'd probably have a hard time doing so without ever having laid hands on any manner of Keilwerth. The ergonomics are critical for me due to joint problems. So I've been thinking maybe find a low A stencil of some sort, although some of these have different keywork, just to have maybe a sense of this without laying out $10K that would be a huge risk if it didn't work out. I could deal with a VI but their prices have just skyrocketed ridiculously in the past year and I refuse to participate in that. I could probably find a Series II for less than the average VI asking price. And most of the Bb VI's are in hiding...Right, sounds like you want a Low Bb with modern-esque ergos. That's a tall order if you don't wanna succumb to the absurd VI pricetags. Keilwerth stencils are an obvious choice, as they move in that modern direction.
Armstrong made (subcontracted) a Bb model for a short time which does that too (I believe it was JK-made, this mid 90's) but those are rare to pop up; and when they do nobody even looks at 'em because of the name engraved on the bell.
B&S made some Low Bb's with a nice modern pinky table, but likewise, they don't pop up often and when they do, usually in Europe....
The only other horn that pops to mind would be a Beaugnier-made Vito "Duke" sort of model...and those appear somewhat more often...to a vintage buff, the keywork on those seems modern - but to a person used to only Yamaha or Yani or Selmer or their knockoffs, notsomuch.
It'd be interesting IF a contemporary maker of repute....Yama, Yani, even Jupiter or Buffet or Mauriat or Cannonball or Eastman, or even a slightly less-reputed/track-record boutique maker but one still held in some regard (Kessler, Barone for instance)....introduced a Low Bb to the market.
Might it do well ? It'd certainly corner the market (niche).
It isn't like it'd be incredibly hard nor would it mess up the assembly line significantly....as history shows, it's really just a different bellpiece and the omission of 2 key mechanisms. 95% of the horn spec/fabrication remains the same.
Very Cool...unfortunately, Thomann's in-house brands do not have any sort of firmly established cred yet.....but cool that they offer one.
Yes, thanks I had heard that, that they'd supply a low Bb.Keilwerth makes a Bb SX90. Special order, $9K or so. I'd spring for it but I'd probably have a hard time doing so without ever having laid hands on any manner of Keilwerth. The ergonomics are critical for me due to joint problems.
My background is 15+ years on a Martin Comm III. That horn fit my hands like a glove but as my hands have deteriorated I think I'll be better with a little less spread, not that that horn felt spread to me. In particular the distance from the thumb to the pinky.The only other horn that pops to mind would be a Beaugnier-made Vito "Duke" sort of model...and those appear somewhat more often...to a vintage buff, the keywork on those seems modern - but to a person used to only Yamaha or Yani or Selmer or their knockoffs, notsomuch.
Exactly.Yes, thanks I had heard that, that they'd supply a low Bb.
It is just, yeah...if it didn't suit you, if you went to resell...you'd lose $3g immediately on flipping her.
Gotcha, so if it isn't the usual "I need modern keywork" thing, that does open up a wider variety of options, potentially....My background is 15+ years on a Martin Comm III. That horn fit my hands like a glove but as my hands have deteriorated I think I'll be better with a little less spread, not that that horn felt spread to me. In particular the distance from the thumb to the pinky.
Maybe I could adapt to the full modern VI/Japanese layout and that would open up the Taiwan horns, but each time I research one I come away with less than full confidence. Hence the appeal of the Keilwerths. I'll add Beaugnier and their stencils, will have to research that a bit, is there a particular model of Beaugnier that is the one to look for? Not that I see that many of them eitherThanks.
Yeah I just don't want to go backward from the Comm III ergonomically if that makes sense. I bought a Super 20 alto and tenor in the past year and those are the most modern horns I've owned. I sold a Super 20 bari recently mostly because the keywork was more spread than the Martin, also it was physically just a really big horn or at least felt like it. I had a VI briefly and that felt nice and compact by comparison. It just had some intonation problems I didn't want to deal with and the left cluster was weird for me but I think it could have been workable.Gotcha, so if it isn't the usual "I need modern keywork" thing, that does open up a wider variety of options, potentially....