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1,203 Posts
Hi,
This has taken me a while to find, but after much soul searching I have sold all my surplus pieces and got hold of one of these on a one week trial.
I rushed home tonight, and play tested, boy, am I pleased.
I was using a Selmer c* but it was starting to close up and sound harsh up top, so sought advice, I got harder reeds, and the character went. So I switched to my Jody Jazz 5HR, which is nice, but again harsh when pushed. I have tried every reed I can, but still harsh....
This Gregory was mine for £150 ($300) which was a lot of cash, but they don't come up very often and I thought I would give it a go.
Have a listen here, both played with a Rico Royal 2.5, no EQ, just a sprinkle of reverb. I try and play the whole range. No altissimo. Both on my '57 The Martin.
http://www.soundclick.com/bands/songInfo.cfm?bandID=646818&songID=5896855
The Gregory is first, followed by the Jody for comparison (AT ABOUT 2mins 20secs). As you can gather I am after that Art Pepper/Desmond vibe, and I can see why they both played the Gregory.
It is the first mouthpiece I have ever tried that is radically different to the Meyer/Jody Jazz types. It has a HUGE chamber, and the 4 feels more like a moder 5 or 6, but it is simply awesome, rich and bassy with enough cut when pushed. Tuning is spot on too.
I am happy man......no more studying facing charts...... or scouring ebay....
What do you think?? I think the Martin and this Gregory were made for each other..... ahhhhhhh how sweet!
On a technical note, what makes it sound like this? I am now worried about chipping it or something, what in particular gives it this deep and lovely sound?? Advice please from you gregory experts....
It is dark brown, has "MASTER" then BY Gregory HOLLYWOOD, then 420M stamped, it has a brass ring around the base.
Can you tell I am in love
?
This has taken me a while to find, but after much soul searching I have sold all my surplus pieces and got hold of one of these on a one week trial.
I rushed home tonight, and play tested, boy, am I pleased.
I was using a Selmer c* but it was starting to close up and sound harsh up top, so sought advice, I got harder reeds, and the character went. So I switched to my Jody Jazz 5HR, which is nice, but again harsh when pushed. I have tried every reed I can, but still harsh....
This Gregory was mine for £150 ($300) which was a lot of cash, but they don't come up very often and I thought I would give it a go.
Have a listen here, both played with a Rico Royal 2.5, no EQ, just a sprinkle of reverb. I try and play the whole range. No altissimo. Both on my '57 The Martin.
http://www.soundclick.com/bands/songInfo.cfm?bandID=646818&songID=5896855
The Gregory is first, followed by the Jody for comparison (AT ABOUT 2mins 20secs). As you can gather I am after that Art Pepper/Desmond vibe, and I can see why they both played the Gregory.
It is the first mouthpiece I have ever tried that is radically different to the Meyer/Jody Jazz types. It has a HUGE chamber, and the 4 feels more like a moder 5 or 6, but it is simply awesome, rich and bassy with enough cut when pushed. Tuning is spot on too.
I am happy man......no more studying facing charts...... or scouring ebay....
What do you think?? I think the Martin and this Gregory were made for each other..... ahhhhhhh how sweet!
On a technical note, what makes it sound like this? I am now worried about chipping it or something, what in particular gives it this deep and lovely sound?? Advice please from you gregory experts....
It is dark brown, has "MASTER" then BY Gregory HOLLYWOOD, then 420M stamped, it has a brass ring around the base.
Can you tell I am in love