I play a DV on tenor and you're the first one to say it's medium bright. I guess everything is relative.in terms of brightness and cutting thru definately a dukoff D chamber. jodyjazz dv is just a medium bright mpc with big and spread sound.( which is good depends wat u want). jj dv got good consistency while dukoff is not
You only need to try one JJDV. Each one is made virtually the same. Dukoffs can vary a lot. You may get a good one or a bad one so you may need to try several (or have one hand finished by a refacer).Excuse my bad English... what do you mean when you say: "JJDV is more consistent"?
Ive always wanted to try a dukoff, especially on tenor. They seem like theyd sound bright but good. Do you still use the dukoff on soprano ?I have both....Dukoff D surely has the much more piercing brightness than JodyDV. Even for Dukoff M chamber, it is still brighter than DV(well, admittedly, I only tried M chamber several times in local shops) . But DV is easier to play (perhaps related to lower baffle and so-called secondary window) and more consistent than Dukoff as Benjamin mention. Since I have played Dukoff more than 2 decades and control with ease, I really regret to buy DV......As many SOTWers emphasize many times, really try before you buy and don't believe advertisement.
As has been said, the quality of modern Dukoffs is very inconsistent. The ones I have tried tended to squeak and they had a thin, excessively bright tone. Jody Jazz, on the other hand, are generally of very high quality and they are consistent. They also have a fatter sound. The only thing that I don't like too much about them is that they are very unidimensional, meaning that they sound great but they only give you one type of sound, they don't let you shape the sound. But still, I prefer them to Dukoffs.Jilma what is the difference ?
I mainly use D10 and D9 on soprano and D9 on tenor. As Jlima mentioned, Dukoffs squeaked, very thin in the very beginning, I really needed SEVERAL YEARS to tame Dukoffs through hard-practice of overtone, altissimo, long tone and also circular breathing( well, don't throw eggs on me). Different kinds of sound can be easily done through different voicing.Ive always wanted to try a dukoff, especially on tenor. They seem like theyd sound bright but good. Do you still use the dukoff on soprano ?
No mouthpiece should be that much work! Do some mouthpieces "grow on you"? Sure, but several years? I had a Tenor mouthpiece like that once (a silver plated brass RIA 6*) that played like a dog, but sounded so good on playback I hated to sell it. Finally sold it after playing a few other pieces that required less work to play, and sounded just as good (and are far easier to control!).I mainly use D10 and D9 on soprano and D9 on tenor. As Jlima mentioned, Dukoffs squeaked, very thin in the very beginning, I really needed SEVERAL YEARS to tame Dukoffs through hard-practice of overtone, altissimo, long tone and also circular breathing( well, don't throw eggs on me). Different kinds of sound can be easily done through different voicing.