looking though, I couldn't hear him saying what opening Bird used - did I miss it? Very curious because I was told by Dave Schildkraut that Bird was always frustrated at not finding anything more open than a 5 or 6, and so just kept trying to find stiffer and stiffer reeds.
I also read, however, that later in life Parker moved to softer reeds, without losing any of his projection (he was well known for his powerful sound).
It was made in a very unusual way, with the top part of the beak being a separate part that was soldered onto the rest of the body - you can see the join on close-up pictures of worn mouthpieces.
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