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Rubber Meyer vs. Metal Meyer

4486 Views 9 Replies 6 Participants Last post by  saxdude48
I did a wee search but surprisingly didn't come up with much at all for the metal meyer, and from reading what I came up with it seemed the metal meyer is a very unpopular piece. Why exactly is this?
My main piece is a Rubber Meyer 6M, but sometimes I get frustrated with the stuffyness and lack of projection, and wish it was a bit more lively sounding. I've tried many other mouthpieces, (Vandoren Java, Runyon XL, Claude Lakey, Brillhart, Berg Larsen, Selmer C*, Yamaha 4C) but always come back to the meyer because I love the feel of it.
How would the sound of a metal meyer differ from a rubber one? Would it still have the same meyerish sound, but with the added projection and natural brightness of a metal mouthpiece? Or would it just be playing the same mouthpiece in a new coat?
Also, since I love the feel of my meyer, would meyerish mouthpieces such as a Morgan Jazz or a JodyJazz HR* also be good mouthpieces to consider?
Also, since I already love the meyer, to get rid of stuffyness and projection problems, could I try moving up to a 7 and maybe getting a small chamber? Or would the small chamber destroy the round, lush meyer sound?
Sorry, so many questions. But please take me seriously, and if any of my questions have already been answered in other forums that I have not been able to find, I would appreciate getting the web links for them.
Unfortunately I don't live anywhere near a music store where I could go and try a metal meyer out, so any comments/suggestions would be greaty welcome.
Thanks in advance
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Please see below. Many of your questions have been answered on this thred, so hopefully I'm just filling in a few gaps:

My main piece is a Rubber Meyer 6M, but sometimes I get frustrated with the stuffiness and lack of projection, and wish it was a bit more lively sounding.
I just got a refaced Meyer 6M equivalent (5M opened to opened to .76) from Razzy, which was refaced by Adam Niewood, that plays great. No stuffiness whatsoever and seems like it would project well for any jazz setting (I haven't played it yet in an ensemble). Refacing might be the way for you to go.

Also, since I love the feel of my meyer, would meyerish mouthpieces such as a Morgan Jazz or a JodyJazz HR* also be good mouthpieces to consider?
I have a JJ HR* 6 and it's a great mpc. Mine is not darker than other Meyers I've played. If anything, it has a slightly brighter flavour and works very well not only for jazz but for pop (think Spyro Gyro). Also, mine has a slightly lighter quality to it than the Meyers. You are right that it is Meyerish and you wouldn't have any problem adjusting to it.

Also, since I already love the meyer, to get rid of stuffyness and projection problems, could I try moving up to a 7 and maybe getting a small chamber?
I don't think this is the answer to your problems. I would just get it refaced. BTW, you don't have to worry about being too specific with a good refacer as you mentioned. Just tell him, "I get frustrated with the stuffiness and lack of projection, and wish it was a bit more lively sounding". ;)

...if any of my questions have already been answered in other forums that I have not been able to find, I would appreciate getting the web links for them.
Here is a sparse SOTW thread on metal Meyers: http://forum.saxontheweb.net/showthread.php?t=44662&highlight=metal+meyer Most of the discussion (except mine) refers to tenor mpcs, but you might get a little supplementary info from this.

BTW - I noticed that you are playing a 2.5 reed, and a Plasticover to boot. IMO this is a little weak and would suggest your not only trying a 3.0 but some reeds makes other than what you are playing. I would try this first since it's cheaper and quicker than having it refaced.
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saxdude48 said:
And about moving up to 3 reeds, I have tried, but never liked the sound I was getting from them. Too airy and breathy, I had to work too hard.
I'm not an advocate of "who's got the stiffest reed in the neighborhood" mentality, but nevertheless I think a #3 is appropriate for the tip opening you are playing. If it's been a year, then maybe your chops are stronger and you're ready to move up in strength. Give it a try.
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