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Discussion Starter · #1 · (Edited)
this is the melody from my childhood (I lived in Moldova, one of former USSR's republic).
I played it hundred of times on weddings that lasts 3 days :) (what a memories!).
Started the "business" with older guys from age 15.
The Romanian folklore music is in my blood, regardless I am not a Romanian.
Sure I am not close on winds to very good musicians in this domain that I had chance to play with.
Simply, I played bass and they loved it.
Thanks for listening if you have some time for that...

 

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Thanks for this, Michael. I'm crazy about Romanian/Roma/klezmer music from Moldavia. The song "Sanie cu zurgalai" is one I performed on flute or soprano sax often in the 1970s, having learned it from the Maria Lataretu recording. Great tune.
 

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Discussion Starter · #3 ·
Thanks for this, Michael. I'm crazy about Romanian/Roma/klezmer music from Moldavia. The song "Sanie cu zurgalai" is one I performed on flute or soprano sax often in the 1970s, having learned it from the Maria Lataretu recording. Great tune.
I am so glad to check out "The Klezmorim" and it's story. You did a great job in your life!

I was really amazed to find the info about "Sanie cu zurgalai"... for me it always was Romanian folk song.
I heard it first on radio or from my father... He studied in Romanian school as a kid until 1940 (it was Bassarabia, as you know :)).
Then I played it and listened many arrangments and in each band some new intonations and touchy intervals were found.

So, what so interesting I found? Looks like even you :) don't know it's story.
First, I thought that it is a folk Romanian song... False. Les Paul and Edit Piaf sung the song. So it suppose to be known in States.

Look at that... could be interesting for you:

"Sanie cu zurgălăi" (Romanian for "Sleigh with bells") is a Romanian language song composed in 1936 by Jewish-Romanian composer Richard Stein. Romanian language lyrics were written by Liviu Deleanu. The song was recorded in 1937 by Silvian Florin and by Petre Alexandru. The song was later covered and re-arranged by numerous musicians in different languages. Most notable covers are by Les Paul, under the title "Johnny Is the Boy for Me" (1952) in English, by Edith Piaf (1953) and Vaya con Dios (1988) as "Johnny, tu n'es pas un ange" in French, and by Zvonko Bogdan as "Svaku ženu volim ja" (1988) in Serbo-Croatian.

The song was the cause of a long-lasting court battle between Stein and Paul over plagiarism charges. Stein eventually won the case.[1]

Original Romanian version[edit]
"Sanie cu zurgălăi" was composed in 1936 by composer Richard Stein (1909-1992) especially for Maria Tănase, who refused to sing it considering the song of low quality. The lyrics were written by Liviu Deleanu, Jewish-Romanian poet and playwright.[2]

Subsequently, the song was recorded by Silvian Florin for His Master's Voice (cat. no. JB 163) and Radio Romania archives. It was also recorded the same year by Ionel Pascu, for less known label Pan (formerly Lifa, cat. No. P 9). On the cover of the original music sheet, which appeared in late 1937, the song was subtitled "Cling, cling, cling".[2]

The modern version of the song, the best known today, was recorded in 1949 by folk singer Maria Lătărețu for Columbia Records (cat. no. DR435). The chorus was added and some lyrics changed.[2]


REED MORE if interested:
Sanie cu zurgălăi - Wikipedia
 

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An interesting version played by the Vagabontu Brass Band -- aka Fanfare Vagabontu (here shown in their Moldovan home town) -- featured in the soundtrack of Ubisoft's videogame "Rabbids Go Home." Bunnies from the Moon? Sure, why not.

More Vagabontu music with scenes of the band in Romania & France. Enjoy!
 

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Discussion Starter · #5 ·
you returned me back 50 years from now... roads yes... but houses... they were always nice even of poor people.
Don't remember streets like that... and always gardens with cherries, apples, vineyards.

As for a version of Sanie cu Zurgalai... I found the band of Marian Mexicanu... second day listening for it.
Make me feel absolutely happy...
Take a listen of his Sanie...
"Robert Matei & Taraful M.Mexicanu - SANIE CU ZURGĂLĂI " (Live 100%) - YouTube

All the best Mr. Lev!
Michael.
 

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My grandfather was a professional Klezmer trumpet player in Poland before WW II and after escaping the Nazis moved to NYC and became a music teacher and played in several klezmers bands. I find music from the former Soviet Union and Eastern Europe to be incredible. Thanks for sharing
 

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Michael_A, thanks for your many links to alternate versions of "Sanie cu zurgalai." Interesting how the Robert Matei / Marian Mexicanu track integrates elements of techno-pop with a traditional taraf sound. It's ultra-cool that they include a tsimbalom, IMHO the best rhythm instrument ever.

Ordinarily I loathe big squeeze-boxes in klezmer or Eastern European bands -- so often implemented to conjure up cheap, easy chordal harmony without ensemble players doing the labor-intensive work of creating implied harmonies collectively -- but here the accordionist, with a light touch, simulates the sound of a Romanian nai (panflute).

Whoever posted Bela Chitaristul's version claims that he was first to perform "Sanie cu Zurgalai." Chitaristul does sing a melodic section not present in other recordings I've heard.
 

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Discussion Starter · #8 · (Edited)
Michael_A, thanks for your many links to alternate versions of "Sanie cu zurgalai." Interesting how the Robert Matei / Marian Mexicanu track integrates elements of techno-pop with a traditional taraf sound. It's ultra-cool that they include a tsimbalom, IMHO the best rhythm instrument ever.

Ordinarily I loathe big squeeze-boxes in klezmer or Eastern European bands -- so often implemented to conjure up cheap, easy chordal harmony without ensemble players doing the labor-intensive work of creating implied harmonies collectively -- but here the accordionist, with a light touch, simulates the sound of a Romanian nai (panflute).

Whoever posted Bela Chitaristul's version claims that he was first to perform "Sanie cu Zurgalai." Chitaristul does sing a melodic section not present in other recordings I've heard.
I read about Bela... wiki staying that other guys were first :) (it's really doesn't matter). Glad that you found something unique.
As I mention in previous post I heard many differen performances. In each "satul" :) it was something new.

More I listen Mexicanu - more I love him - real virtuoso. Also, I met many extrimly strong folk music musicians, whe it came to other genra often it was a "surprise".
They were completly out of picture...
Not the case with Mexicanu... I heard some numbers with strong jazz, funk and all what you can imagine rhythmes.
Absolute MUSICIAN! Can listen him on daily bases :). Sure he masters his synth-accordeon the same way as regular one.
It provides him unlimited possibilities.
All this is nothing more than personal feeling toward a musician.
I don't remember that somebody (not from domain of jazz :)) would easily excite me after first song I hear
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