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1,596 Posts
That’s awesome!
That’s awesome!
I'm playing the Gaia 4 right now. It seems very different than the Gaia 3 to me. Like a totally different mouthpiece. Seems darker to me than the Gaia 3......I play a GAIA 3, 6* and tried the GAIA 4. It's really good but I prefer the 3. I also endorse TW mouthpieces so even though he's on a newer version of the GAIA I'm still playing the previous version.
They don't hold their value at all. They lose about 1/3 of their value (off the retail price) the moment you buy them. Just take a look at the historical prices on eBay in the past few months for the Durga 4 (most, even "new old stock" and "open box" ones, are at 50% or less of the retail price):I love sound clip # 1
I always thought the maker should change the "W" design. Looks like the Walgreens pharmacy W. Always struck me as funnyI guess I'm easily amused sometimes. 😄
Maybe someday I'll be able to afford one. I've looked for used ones but not found any for much less than new. I guess they hold their value.
They don't hold their value at all. They lose about 1/3 of their value (off the retail price) the moment you buy them. Just take a look at the historical prices on eBay in the past few months for the Durga 4 (most, even "new old stock" and "open box" ones, are at 50% or less of the retail price):
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If you're on the Facebook groups (mouthpieces, saxophones, etc.) you will get them for even less (especially since you don't have to pay tax and the seller will also not have to pay eBay fees).
They are some of my favorite mouthpieces, though.
I thought so as well, for me the GAIA 3 is a great all-around mouthpiece. I use it for small group jazz to loud bands with 3 horns where I need to play some pop/funk/rock type solos. 6* with Rigotti 3 /12 medium or D'Addario 3M reeds. I thought the GAIA 4 was interesting but I prefer the 3.I'm playing the Gaia 4 right now. It seems very different than the Gaia 3 to me. Like a totally different mouthpiece. Seems darker to me than the Gaia 3......
I play a Durga 3 as my everyday mouthpiece and pretty much feel like this. I don't feel a strong need to get the new one when it comes out, nor do I feel like Theo really encourages players to do that. He's always heavy on marketing speak and pushing his new products, but he's never said anything he made before his latest and greatest is garbage or anything.I guess I just feel like if I had a Durga 2 and liked it, I wouldn't really care if there was a Durga 5 or a Durga 5000 or whatever.
Agreed, when I tried the GAIA 4 and communicated with TW that I was going to stick with my GAIA 3, they were totally cool and supportive of that. Basically saying that many players prefer different versions of their pieces and happy I like their products.I play a Durga 3 as my everyday mouthpiece and pretty much feel like this. I don't feel a strong need to get the new one when it comes out, nor do I feel like Theo really encourages players to do that. He's always heavy on marketing speak and pushing his new products, but he's never said anything he made before his latest and greatest is garbage or anything.
If he wants to keep tweaking and putting out new ones, it's no skin off my nose.
Now this I find very interesting. ThanksI'm playing the Gaia 4 right now. It seems very different than the Gaia 3 to me. Like a totally different mouthpiece. Seems darker to me than the Gaia 3......
Maybe I shouldn't have written so soon as I just started playing it today and am just experimenting with different reeds right now looking for the best one. When I get a perfect match I might have to take back that statement. We will see.........Now this I find very interesting. Thanks
I your opinion is Theo's Ambika really his darkest piece?Maybe I shouldn't have written so soon as I just started playing it today and am just experimenting with different reeds right now looking for the best one. When I get a perfect match I might have to take back that statement. We will see.........
The Ambika is advertised as the darkest Theo Wanne tenor sax mouthpiece. It's the darkest one I have reviewed I believe. Certainly darker than the Shiva, Durga and Gaia..........I your opinion is Theo's Ambika really his darkest piece?
My 2 cents: the Ambika was the darkest TW piece I tried, so I bought the new, 3rd generation model. I got curious and then bought the 1st generation model and it was both a third the price and much more to my liking. Fatter, warmer and more ‘old school’ sounding.I your opinion is Theo's Ambika really his darkest piece?
now this is even more interesting - thanks for the insight, greatly appreciated.My 2 cents: the Ambika was the darkest TW piece I tried, so I bought the new, 3rd generation model. I got curious and then bought the 1st generation model and it was both a third the price and much more to my liking. Fatter, warmer and more ‘old school’ sounding.
I believe the entire TW range is on the bright side… and that’s likely intentional. I figure that’s the sound both he and his general customer base might prefer.
IMO if someone is after a dark, warm, ‘classic’ jazz sound (while I acknowledge no 2 people may agree on exactly what that means!) they should not be looking at TW pieces.
I agree with this, though I’ve not played an Ambika one but calling the Ambika 3 “dark” is kind of funny. Don’t get me wrong, it’s a great piece, just not what I’d consider “dark”.My 2 cents: the Ambika was the darkest TW piece I tried, so I bought the new, 3rd generation model. I got curious and then bought the 1st generation model and it was both a third the price and much more to my liking. Fatter, warmer and more ‘old school’ sounding.
I believe the entire TW range is on the bright side… and that’s likely intentional. I figure that’s the sound both he and his general customer base might prefer.
IMO if someone is after a dark, warm, ‘classic’ jazz sound (while I acknowledge no 2 people may agree on exactly what that means!) they should not be looking at TW pieces.