This might go over the price limit, but on my pre-front F key True Tone, I absolutly LOVE my Brilhat Tonalin Great Neck (refaced by Brian). Brian opened it up and faced it excellently. It is very versitle and can be played for almost any situation. You will be heard using a Java reed and it has almost no edge at all. The volume is just pure, fat tone. I love pieces like that. I suppose it couldn't compete with the loudest of settings, but in that case, I'll make an epoxy baffle 
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Using it on the True Tone is great! I love how the True Tone resonates so much, especially using this mouthpiece. It's a real joy to play! I prefer the tone using my Brilhart on my Conn 6m, but the Buescher gives it a real run for its money.
Some other pieces I've had good success using on the True Tone are Morgan "L" and "M" chambers, RPC roll-over baffle, and my personal favorite for the True tone: Selmer Soloist using a Java reed. The java just brings out the life in the True Tone, and it's really something to play that combinatin!
Anyway, sorry for the ranting. I just hope you can decyper the rant and get some useful information out of it.
.Using it on the True Tone is great! I love how the True Tone resonates so much, especially using this mouthpiece. It's a real joy to play! I prefer the tone using my Brilhart on my Conn 6m, but the Buescher gives it a real run for its money.
Some other pieces I've had good success using on the True Tone are Morgan "L" and "M" chambers, RPC roll-over baffle, and my personal favorite for the True tone: Selmer Soloist using a Java reed. The java just brings out the life in the True Tone, and it's really something to play that combinatin!
Anyway, sorry for the ranting. I just hope you can decyper the rant and get some useful information out of it.
