Thanks for the good info....here are a few more tidbits and clarification
It is a clip on lavelier-type. Interesting to know that the transmitter does have some compression built into it.
For your suggestions:
1. I'm assuming you are referring to how much gain I have set on the transmitter. I'll turn it down a bit.
2. I am assuming that this is related to gain also, but am not positive. Would you mind clarifying this. Also, the receiver has a volume control. Instruction on the unit said to have the volume all the way up. So I did....I only find that when I turn the volume down at the receiver, I have to compensate at the mixer (duh
...nothing that really shows me why they recommend full volume at the receiver.
I have played with the mic placement. It is a clip-on, but I don't have it directly above the bell. I did find this helped out a good bit as opposed to the mic directly above the bell.
BTW - I normally have everything flat at the board.
I am referring to the highs in this context as the higher pitched notes on the horn. G2 and up. They are louder in this amplified situation than the rest of the horn. I can easily lay back on those notes, but I thought compression would solve this.
Thanks for the info again - I'll keep playing with it....just curious if another electronic gadget would be the answer.
It is a clip on lavelier-type. Interesting to know that the transmitter does have some compression built into it.
For your suggestions:
1. I'm assuming you are referring to how much gain I have set on the transmitter. I'll turn it down a bit.
2. I am assuming that this is related to gain also, but am not positive. Would you mind clarifying this. Also, the receiver has a volume control. Instruction on the unit said to have the volume all the way up. So I did....I only find that when I turn the volume down at the receiver, I have to compensate at the mixer (duh
I have played with the mic placement. It is a clip-on, but I don't have it directly above the bell. I did find this helped out a good bit as opposed to the mic directly above the bell.
BTW - I normally have everything flat at the board.
I am referring to the highs in this context as the higher pitched notes on the horn. G2 and up. They are louder in this amplified situation than the rest of the horn. I can easily lay back on those notes, but I thought compression would solve this.
Thanks for the info again - I'll keep playing with it....just curious if another electronic gadget would be the answer.