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how do you play more than one note at a time on sax
Search for "multiphonics."thejoyofsax said:Try using the Search function here on the forum to find previous threads related to your question.
its odd that no one has heard of this or tried to do it themselves. all you have to do is get the right pitch with your voice and the growl is pretty much gone.TooSaxy said:Voice multiphonics like DeUt is talking about are very rare. I remember a discussion with him earlier today about this lol. If you vocalise into your horn you will usually get a growl, but what he is talking about is not a growl. It is singing into the horn without the growl sound, just like brass multiphonics. Until today I had never heard of them, and I still have never heard them.
unfortunately not im a poor son of a bitch.TooSaxy said:I have tried it lol. As soon as you said it. I can't do it. But it did take me months to get growling down. I am a natural flutter tonguer. I would like to hear you do it. Got a mic? lol![]()
Well, exactly. If you hum the same pitch that you're fingering or too close to the same pitch that you're fingering, it cancels the growl. You can easily hear the voice at that point, but you're singing the same note.DeUtCheaxelplaya said:its odd that no one has heard of this or tried to do it themselves. all you have to do is get the right pitch with your voice and the growl is pretty much gone.
ahh yes but what if you change your voice to a 3rd away from the pitch? or a fifth? or an octive?...........you can probly still make it sound right if you really try...........and im starting to think the quality of the voice matters of well. my voice quality is not that good at all but im wondering what effect that has on the multiphonic.............so im not only saying when you get your voice at the same pitch as the pitch from your instrument........not at allthejoyofsax said:Well, exactly. If you hum the same pitch that you're fingering or too close to the same pitch that you're fingering, it cancels the growl. You can easily hear the voice at that point, but you're singing the same note.
when you get it down i want you to see what the effect of the quality of your voice has on the multiphonic..........i will try it as wellReedsplinter said:I just posted on the other thread this observation: if you play a tonic and very accurately hum a major third, a fifth will pop out of the harmonics and you'll have a major triad. This is damned hard to get right, but it can be done; I've managed it a few times. It's once case in which the player's voice is implicated in a multiphonic effect.