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Discussion Starter · #1 ·
I am having my Pierret "Vibrator" alto restored, will post some more detailed photos after the overhaul.
This was built in the late 1920s or beginning 1930s with the underslung neck (patented 1929). This one has Pierret´s rare most expensive finish according to their 1938 catalgoue - a gold inlaid engraving and the two tone finish with gold plated mechanic.

I compared it to a Selmer New Large Bore from the 1930s and the models are quite different, the Pierret has a larger bore and also a wider bell,
it does share more somehow in feeling and tonal response and flexibility with a CONN NW I than other french saxophones I have played.

It stands to reason that the later Pierret models were always trying to keep up with Selmer and Buffet in terms of mechanical improvements but the early models like this one just have quite a lovely broad presence that is hard to find in other french saxophones in the 1930s, only perhaps SML later onwards.

Helen (bassicsax) has compiled some good information about this particular model and it would be fun to have other owners of these saxophones sharing here!
I find it very mouthpiece-friendly and despite it´s worn condition it already plays very promising...
 

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Pierret's have their advocates - I have a Pierret stencil "Paul Buescher" playable but deserves a rebuild plus a 20s soprano in stunning condition. IF you like French you will not be disappointed. Lot of similarities between your Vibrator and my Paul Buescher
 

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Discussion Starter · #13 ·
Thanks a lot everyone - yes, the front F and ergonomics are original, they were working with good soloists/artists at the time of the Garde républicaine etc.,
so it feels quite modern and elegant, I agree. Tragically the later horns in the 1940s and 1950s can than feel "outdated" in that respect when compared to Selmer or Buffet in these decades, but their beautiful sound concept remains the same I find.
 

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Nice. I've got a Pierret built bari that is a good horn, and unique in design. I love any and all older horns that can be exploited to their maximum potential.

PS - the two bell keys are similarly snugged together like that - must have been a design feature.
 

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T: King Super 20 ('49-50) A: Keilwerth SX-90R S: Yamaha YSS-475 B: Vito/Beaug. 38 Cl: Selmer ('35)
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Re: Pierret Vibrator with Virtuor

I'm late to the party with some random thoughts:
I'd love to hear this horn but the YouTube video no longer works.
Am I crazy or does the bow to bell brace look like those on Beaugnier saxes?
Gorgeous horn! If it sounds anything like it looks it must be a really nice sounding player. Are these well-suited for classical playing?
 

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I know I'm very late here, but I have two questions for Uwe about this sax:

- does the # 515 appears on the neck lever too?

- on the same lever you read "patent pending usa" and "brevete s.g.d.g.", right?

I'm doing some research on the pierret serial numbering and the Virtour/Vibrator patent is quite important.

thanks for your kind attention.
andrea
 
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