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Jon R. Smith, in his interview posted on SOTW, described Lee Allen, and his landmark recordings in the ‘50’s with Little Richard, as “a relatively ‘simple’ player, but his phrasing, articulation, and ability to go to the heart of a song were perfect. He flattered the music and didn’t try to make the music flatter him. Too many players go in and try to make the solos all about them”
http://www.saxontheweb.net/Rock_n_Roll/Jon-Smith-1.html
As John Barrow recommends, “It’s not what you play but what you leave out that makes the difference”.
http://www.saxontheweb.net/Resources/JohnBarrow.html
Players like Lee Allen, Sam Butera, King Curtis, Plas Johnson, and Junior Walker could say everything that needed to be said, to really push a song ahead, with just a few notes.
Are these early styles relevant to today’s players? Very much so, including not only the many fine players who contributed to SOTW’s “Blues, R&B, and Rock n’ Roll” teaching resource- Andrew Campbell, Johnny Ferreira, John Laughter, John Lull, Joey "The Saint" St. John-Ryan, Curtis Swift, Pete Thomas- but also touring pros like Gordon “Sax Gordon” Beadle and Gregg Piccolo.
Here are four examples of solos from the early days of rock n’ roll, all played within a relatively narrow range but whose phrasing and articulation stand out. Of course, having a killer tone doesn’t hurt!
Further comments and examples from other time periods are most welcome!
Billy Ward and The Dominoes- “Have Mercy Baby” with the tenor sax solo entering at 1:07 mark
http://www.youtube.com/watch?v=MMlYCTYMmjY
Little Richard- “Slippin’ and Slidin” with Lee Allen on tenor sax (enters at 43 second mark and again at the 1:53 mark)
http://www.youtube.com/watch?v=4rSa_IhgH4s
Duane Eddy- “Movin and Groovin’ ” with Plas Johnson on tenor sax (enters at the :43 second mark at again at the 1:37 mark)
http://www.youtube.com/watch?v=-lqFlxMiMfE
Red Prysock- “Rooster Walk”
http://www.youtube.com/watch?v=R06nBsLx60Q&feature=related
http://www.saxontheweb.net/Rock_n_Roll/Jon-Smith-1.html
As John Barrow recommends, “It’s not what you play but what you leave out that makes the difference”.
http://www.saxontheweb.net/Resources/JohnBarrow.html
Players like Lee Allen, Sam Butera, King Curtis, Plas Johnson, and Junior Walker could say everything that needed to be said, to really push a song ahead, with just a few notes.
Are these early styles relevant to today’s players? Very much so, including not only the many fine players who contributed to SOTW’s “Blues, R&B, and Rock n’ Roll” teaching resource- Andrew Campbell, Johnny Ferreira, John Laughter, John Lull, Joey "The Saint" St. John-Ryan, Curtis Swift, Pete Thomas- but also touring pros like Gordon “Sax Gordon” Beadle and Gregg Piccolo.
Here are four examples of solos from the early days of rock n’ roll, all played within a relatively narrow range but whose phrasing and articulation stand out. Of course, having a killer tone doesn’t hurt!
Further comments and examples from other time periods are most welcome!
Billy Ward and The Dominoes- “Have Mercy Baby” with the tenor sax solo entering at 1:07 mark
http://www.youtube.com/watch?v=MMlYCTYMmjY
Little Richard- “Slippin’ and Slidin” with Lee Allen on tenor sax (enters at 43 second mark and again at the 1:53 mark)
http://www.youtube.com/watch?v=4rSa_IhgH4s
Duane Eddy- “Movin and Groovin’ ” with Plas Johnson on tenor sax (enters at the :43 second mark at again at the 1:37 mark)
http://www.youtube.com/watch?v=-lqFlxMiMfE
Red Prysock- “Rooster Walk”
http://www.youtube.com/watch?v=R06nBsLx60Q&feature=related