I'm now finding myself in situations where I have to keep my volume very controlled, but I still want to get funky, rock out and let it all hang out. Tenor saxophones are very loud things especially when you really push a ton of air. The best way to get a handle on that is with a quieter mouthpiece.
I have zero problem doing this for alto or tenor on my rubber Brilharts, Rubber Otto Links, Kessler Custom (set up by Norbert Stachel as are some of the others), and my new and wonderful Phil-Tone Orion 6* (.095") and similar smaller tip, lower baffle jazz mouthpieces I have. These are easier to control for long periods of time at lower volume levels.
I have my superb brass Ponzol M2 s 110s, Bergs, Saxscape, custom 8* Otto Link STM with a beautiful baffle in it among other more aggressive high baffle more open stuff, but I do fine with the quieter mouthpieces for these gigs.
If you can ability to play a style, you can do it on a .120" Guardala or a small Selmer Goldentone. In some particular situations, that Selmer Goldentone just might be the better choice. While there are some things you can do with the Guardala you can't quite do on the Goldentone, it could be these correct choice given the live situation you find yourself in.
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