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· Distinguished Member, Forum Contributor 2012-2015
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A great loss for the jazz community. Paul gave us so many glorious moments of joy and beauty...
 

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I'm very sorry to hear of this. I saw Paul Motian many times , first with Gato Babieri and then with the great Keith Jarrett group. I saw several editions of his own band most memorably in West Berlin with Jim Pepper, Joe Lovano and Bill Frisell.

What I liked most about his playing was its totally enigmatic feeling. He was the least obvious player I ever heard with a sense of time all his own. Its no wonder that so many great players enjoyed working with him.
 

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What sad, sad news.

My first live encounter with Paul was in the late 70's. There was a club in midtown NY tham came and went quickly, called Storyville. They had a double bill of the Archie Shepp Quartet and Dewey Redman Quartet.

I was in town and went to find this club early, around 6 pm, and there was Motian alone unloading drums from a car. I offered to help, gave him a hand and then went on my way to have some food and came back later for the music.

At the end of the night when I asked for my bill ,I was told it was already paid. Paul had covered it.

I loved to play Paul's compositions and never tired of them.
Here's the last one I recorded, his ABACUS:

http://www.box.com/s/qedhuv2g9i80fk4x7t83

A simple, enigmatic theme, just the way his drumming could be.
 

· Forum Contributor 2008/Distinguished SOTW Member
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He brought me so much joy and depth of feeling in his music. I saw him a few times. Most recently about 2 years ago in NY at Birdland. I think it was, Paul, Charlie Haden, Lee Konitz and Brad Mehldau. It was nice to see him one last time.

I saw him with Frisell and Lovano twice at the VV and once in Seattle with the same group. Wish I had seem the band with Jim Pepper.

Anyway, he's brought so much to the music, he will be missed.
 

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I, too, just saw him in NY a couple of years ago. It didn't even register that he was almost 80, because of his energetic, yet understated drumming. Tough hole to fill. RIP Paul.
 

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One of the most unique voices on drums ever.His style is a pure example of creativity, personality and restless investigation.A major loss.
Peace be upon his soul and joy and respect upon his memory.
My deepest condolences to his family and friends.
 

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As a sax player, I would have to file under "of course" that most of my favorite jazz albums of all time would be sax-heavy.

...and #2-10 of my Top 10 probably would be, but "Sunday at the Village Vanguard" might just be #1.

For Paul's memory, I'll file it there for this week anyway. It will never fall out of the Top 3.

What a great, great musician.
 

· Distinguished SOTW Columnist and Saxophonistic Art
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A true genius in breaking the pulse. Also dug how he used musicians like the masterful and brilliant Lovano in ways I never heard. ALSO- young musicians via his mentoring abilities.

He never played the same thing twice....his drum sound was amazing- never heard another sound like it. He will be missed.
 

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· Forum Contributor 2011, SOTW's pedantic pet rodent
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I saw him with Martin Speake in the UK a few years ago and he seemed like he had that kind of energy that would go on forever. He was a pretty amazing player all right. His playing career and the great recordings he was part of tell the story, really.
 
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