Here's a place with all the treatments for brass and other metals.
Chemical Patinas Products | Create Metal Patinas | Triple-S Chemicals
Chemical Patinas Products | Create Metal Patinas | Triple-S Chemicals
Another site full of patina agents! Nice to see that they have pictures of the final product on most of them as well.Here's a place with all the treatments for brass and other metals.
Chemical Patinas Products | Create Metal Patinas | Triple-S Chemicals
Perhaps I should have said the surface needs to be "etched" rather than "clean" to produce a more even patina finish. I have not had much success on brass that has been buffed to a high shine.Thanks Saxoclese! That is very helpful. This brass is spotless - brand new, in a sealed package per strip and I usually give it a decent polish with cloth to ensure their is no residue on them. I may have to clean them more as you said though.
Ah I see - that makes sense in my mind. scratching the polished surface off and allowing the chemical to reach into the subtle scratches should allow it to react more (at least it makes sense to my non-scientific brain).Perhaps I should have said the surface needs to be "etched" rather than "clean" to produce a more even patina finish. I have not had much success on brass that has been buffed to a high shine.
Keep it away from surfaces that are part of a close fit - tube/post, for instance. The reactants are low density products, and will fill close-fitting assemblies enough to make them bind. If you produce reactants, and then remove them, you add space to previously close-fitting interfaces. Either result is unwelcome if you like a well-fit mechanism. If you don’t care, then please ignore all this with impunity.I am considering doing a small area of this color on my horn,, like the inside of the bell, or neck, or keywork even. Will make more decisions after my other agents arrive!
Oh yes that makes a lot of sense! I hadn't considered that, but it could definitely bind up some keys pretty quick, given that it does indeed add to it's surface. Thanks for pointing this out!Keep it away from surfaces that are part of a close fit - tube/post, for instance. The reactants are low density products, and will fill close-fitting assemblies enough to make them bind. If you produce reactants, and then remove them, you add space to previously close-fitting interfaces. Either result is unwelcome if you like a well-fit mechanism. If you don’t care, then please ignore all this with impunity.
That is very good! You've definitely perfect your ability to match it! I was actually looking for a fair bit darker than the gold lacquer - Something close to what I had now, but not quite as orange... Intention to see if I can match the Ref 54 Honey Lacquer as best I can. So maybe a 80 agent/20 water mixture would work well for me? I'll also have to invest in some 0000 steel wool for applications too!I use the JAX Gold primarily to do "touch up" after cleaning up an area that has been soldered on saxes with a darker gold lacquer finish. I have found that a 50:50 mix of JAX and distilled water gives me more control over the shade. Full strength it can come out a bit orange. I have also found that using a rubber glove and applying the JAX with a piece of 0000 steel wool soaked in the solution gives the most even result. The photos below show an example.
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