Tenor: Eastman 52nd St, Alto: P. Mauriat 67RDK, Soprano: Eastern Music Curvy
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I've been debating adding a patina to my Unlacquered tenor lately, so I decided to make a fun experiment to see how I like them. I took the inspiration from a link shared from Milandro here:
First I acquired some strips of raw unlacquered brass which will be a good sample to see how I like the finish. Here is the pre-chemical exposure strip of brass:
I've done some research, and decided I didn't want to mess around with temperature related formula suggestions on there. So i settled on the Blue patina formula which is as follows:
Now, what they don't warn you about - and I should have realized - was that sulfurated anything smells strongly of (you guessed it) SULFUR. I'm 100% certain that I don't want this on my saxophone anymore, as I don't know if that smell would ever fade. It is STRONG - way stronger than any hot springs or geothermal geyser. My basement reaked for two days after I made the mixture of ingredients.
For my test, a full quart + 200gms/15gms of the ingredients seemed excessive. So I decided to use 1 gram of Potash, 24 grams of Ammonium Chloride and a 1/4 cup of water. The instructions say to brush onto surface, but I was feeling a little antsy - and decided to let the brass soak in the mixture. After about 12 hours, the brass had reddened, but no bluing was present yet.
Currently, it has been 24 hours since I performed the experiment, and I will be checking on the material tomorrow - and then I'll get pictures of the outcome.
For my next steps test - I will be simply brushing some of the mixture onto one of the brass strips and letting it set out - which I will also document here.
Finally, I've also purchased a separate bluing patina agent: Modern Masters Blue Patina Aging Solutions - https://www.amazon.com/gp/product/B000I1TH7I/ref=ppx_yo_dt_b_asin_title_o00_s00?ie=UTF8&th=1
This one is intended to work with metallic paint - which reacts with the metal to alter the color of the paint. However, there are many claims it works directly with raw metal, so I'll be using that one for my third trial!
The final stages of my testing will be to see how easy, if at all, it is to remove this patina from the metal. Then, if I am happy with my results, I will document how it looks on my Sax! (Although I may start a poll to see if SotW thinks I should do it
)
If anyone has any questions or comments on my process, please feel free to ask!
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First I acquired some strips of raw unlacquered brass which will be a good sample to see how I like the finish. Here is the pre-chemical exposure strip of brass:
I've done some research, and decided I didn't want to mess around with temperature related formula suggestions on there. So i settled on the Blue patina formula which is as follows:
- Sulfurated Potash... 15 gm
- Ammonium Chloride... 200 gm
- Distilled Water 1 quart
Now, what they don't warn you about - and I should have realized - was that sulfurated anything smells strongly of (you guessed it) SULFUR. I'm 100% certain that I don't want this on my saxophone anymore, as I don't know if that smell would ever fade. It is STRONG - way stronger than any hot springs or geothermal geyser. My basement reaked for two days after I made the mixture of ingredients.
For my test, a full quart + 200gms/15gms of the ingredients seemed excessive. So I decided to use 1 gram of Potash, 24 grams of Ammonium Chloride and a 1/4 cup of water. The instructions say to brush onto surface, but I was feeling a little antsy - and decided to let the brass soak in the mixture. After about 12 hours, the brass had reddened, but no bluing was present yet.
Currently, it has been 24 hours since I performed the experiment, and I will be checking on the material tomorrow - and then I'll get pictures of the outcome.
For my next steps test - I will be simply brushing some of the mixture onto one of the brass strips and letting it set out - which I will also document here.
Finally, I've also purchased a separate bluing patina agent: Modern Masters Blue Patina Aging Solutions - https://www.amazon.com/gp/product/B000I1TH7I/ref=ppx_yo_dt_b_asin_title_o00_s00?ie=UTF8&th=1
This one is intended to work with metallic paint - which reacts with the metal to alter the color of the paint. However, there are many claims it works directly with raw metal, so I'll be using that one for my third trial!
The final stages of my testing will be to see how easy, if at all, it is to remove this patina from the metal. Then, if I am happy with my results, I will document how it looks on my Sax! (Although I may start a poll to see if SotW thinks I should do it
If anyone has any questions or comments on my process, please feel free to ask!