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7 Posts
Hi all,
I recently had 2 horns in for major overhauls and I'd like to know what some of the good folks here would do if confronted with the same situation.
On recommendations from more than a few fellow musicians I booked two of my saxes in for complete overhauls with a tech I've not previously used.
During the initial enquiry, and also as I left his workshop after dropping off the horns, he told me that they were 'in good hands'.
The horns in question were my early 80s YTS62 (purple logo) and '62 Mk VI alto.
The tenor has been with me for over 15 years and was my first 'pro' sax. It's been with me through thick and thin and on every gig I've ever done. It is well and truly part of the family. I LOVE this horn.
The Mk VI was bequeathed to me recently by a dear old friend and I feel honoured and humbled to be able to play it every day.
When dropping the horns off with the tech we discussed what action he would take: the usual stuff - strip, rebuild, set-up, regulate, venting, pads, cork, felts, a tiny bit of silver plating on one of the Mk VI keys.
I picked up the horns the other day and they play better than before. Nice tight action, no leaks etc etc
But- without my consent, or any kind of discussion, he had RELACQUERED THE CROOK of the YTS62.
I was absolutely speechless. I didn't know what to say or do.
His reason, he said, was that the crook was 'heavily pitted'.
I know it was showing a lot of signs of lacquer wear, that was a huge part of it's cosmetic charm!
I can't fully convey how massively shocked I was. This horn was like my first-born to me! How could this have happened? I was so stunned that I felt unable to fully convey my feelings and left with my saxes after paying the tech for the work done.
I did manage to let the tech know that I wish he'd not relacquered the crook, to which he replied something along the lines of '...we can remove that...back to the brass...'
But we all know that my beloved tenor will now NEVER be the same.
I am GUTTED.
So, fellow saxophonists, what would you do? Or, what would you have done?
I have a few ideas of action that I shall consider taking but would like to hear what you think.
Thanks in advance for your replies.
I recently had 2 horns in for major overhauls and I'd like to know what some of the good folks here would do if confronted with the same situation.
On recommendations from more than a few fellow musicians I booked two of my saxes in for complete overhauls with a tech I've not previously used.
During the initial enquiry, and also as I left his workshop after dropping off the horns, he told me that they were 'in good hands'.
The horns in question were my early 80s YTS62 (purple logo) and '62 Mk VI alto.
The tenor has been with me for over 15 years and was my first 'pro' sax. It's been with me through thick and thin and on every gig I've ever done. It is well and truly part of the family. I LOVE this horn.
The Mk VI was bequeathed to me recently by a dear old friend and I feel honoured and humbled to be able to play it every day.
When dropping the horns off with the tech we discussed what action he would take: the usual stuff - strip, rebuild, set-up, regulate, venting, pads, cork, felts, a tiny bit of silver plating on one of the Mk VI keys.
I picked up the horns the other day and they play better than before. Nice tight action, no leaks etc etc
But- without my consent, or any kind of discussion, he had RELACQUERED THE CROOK of the YTS62.
I was absolutely speechless. I didn't know what to say or do.
His reason, he said, was that the crook was 'heavily pitted'.
I know it was showing a lot of signs of lacquer wear, that was a huge part of it's cosmetic charm!
I can't fully convey how massively shocked I was. This horn was like my first-born to me! How could this have happened? I was so stunned that I felt unable to fully convey my feelings and left with my saxes after paying the tech for the work done.
I did manage to let the tech know that I wish he'd not relacquered the crook, to which he replied something along the lines of '...we can remove that...back to the brass...'
But we all know that my beloved tenor will now NEVER be the same.
I am GUTTED.
So, fellow saxophonists, what would you do? Or, what would you have done?
I have a few ideas of action that I shall consider taking but would like to hear what you think.
Thanks in advance for your replies.