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Hey guys,
I was hoping I could get some advice regarding whether the metal link or yanagisawa is more suited to the soprano sax. I currently use a 7* NY NSTM link on my Yani T992, which I personally love and seems to work well with my more mellow tone, and had considered getting something similar for the soprano. However, the metal yani mouthpiece also seems fairly popular for soprano, and obviously while it is very much player preference when it comes to mouthpieces, I'm wondering if people have any opinions on the general face of it.
(Soprano info)
I currently use an ebonite yanagisawa 6 on the soprano (P.Mauriat System 76 2nd Edition UL Straight) which I originally bought alongside the sax as a placeholder to avoid using the plastic one that came with it. Over the years, upgrading second study woodwind instruments took priority so I've only just got round to looking at this now. In terms of tone, again it's a pretty dark/mellow sound (by soprano standards :tongue1
Thanks
I was hoping I could get some advice regarding whether the metal link or yanagisawa is more suited to the soprano sax. I currently use a 7* NY NSTM link on my Yani T992, which I personally love and seems to work well with my more mellow tone, and had considered getting something similar for the soprano. However, the metal yani mouthpiece also seems fairly popular for soprano, and obviously while it is very much player preference when it comes to mouthpieces, I'm wondering if people have any opinions on the general face of it.
(Soprano info)
I currently use an ebonite yanagisawa 6 on the soprano (P.Mauriat System 76 2nd Edition UL Straight) which I originally bought alongside the sax as a placeholder to avoid using the plastic one that came with it. Over the years, upgrading second study woodwind instruments took priority so I've only just got round to looking at this now. In terms of tone, again it's a pretty dark/mellow sound (by soprano standards :tongue1
Thanks