Sax on the Web Forum banner
1 - 13 of 13 Posts

· Registered
Joined
·
7 Posts
Discussion Starter · #1 ·
Does anyone have references to the original recordings for the book "Blues Saxophone: An In-Depth Look at the Styles of the Masters" by Dennis Taylor? In the book he transcribes solos by various players, and has a a CD of himself playing the solos. For each artist he lists several recommended albums but does not say which cut he transcribed the solo from (unless I missed it). I'm particularly interested in the Eddie Taylor, A. C. Reed and Lee Allen solos.

Thanks.
 

· SOTW Columnist, Distinguished SOTW Member
Joined
·
25,284 Posts
I'm not certain those are transcriptions of actual solos by the original artist. They may be, but somehow I thought they were solos by Dennis Taylor in the style of each player, using some of their licks, but not any specific recorded solo.
 

· Distinguished SOTW Columnist/Official SOTW Guru
Joined
·
3,739 Posts
The Noble watts solo is "Nobility" from (come on brain...you can do it...) "Return of the thin man."

The Lee Allen one is "Walkin' with Mr Lee" but he alters a few phrases.

I don't remember the Eddie Shaw and A.C.Reed ones of the top of my head but I'll hunt through the collection and see if I can find them.
 

· Registered
Joined
·
7 Posts
Discussion Starter · #8 ·
The Noble watts solo is "Nobility" from (come on brain...you can do it...) "Return of the thin man."

The Lee Allen one is "Walkin' with Mr Lee" but he alters a few phrases.

I don't remember the Eddie Shaw and A.C.Reed ones of the top of my head but I'll hunt through the collection and see if I can find them.
Awesome thanks.
 

· SOTW Columnist, Distinguished SOTW Member
Joined
·
25,284 Posts
I don't know, the Big Jay McNeely solo and Noble Watts are pretty close to my ear. But I will defer to those who know more than me. ;-) they at least have the major recognizable phrases in there.
Yes, this is undoubtedly true. All I'm saying is I don't think they are exact transcriptions. I could be wrong, though.

Harpman, I don't see why it would matter a whole lot. What you can do is work with the Dennis Taylor examples to get some of the vocabulary, then go to the original players and 'transcribe' what you hear by ear, while playing along. That would be FAR, FAR more useful than having any written transcriptions in front of you.

p.s. I dragged out my copy of the book. Here's what Dennis says in the preface: "I've quoted some of these players' favorite licks as a launching point. What you are getting is my interpretaion of the masters' licks. ....What I've tried to capture is the 'essence' of each person's style."

So to me that sounds like he didn't write out exact transcriptions of any particular solo, but maybe he came pretty close.
 
1 - 13 of 13 Posts
This is an older thread, you may not receive a response, and could be reviving an old thread. Please consider creating a new thread.
Top