Personally I have not owned very many saxes, but luckily have owned nice ones. but in the end, if the person playing it is not continually trying to improve it really doesn't matter about the horn. If the horn is in good shape then time is always better to be spent practicing new, more challenging stuff or improving certain areas of technique than spending time testing, playing, searching for new equipment.
I also sounded very good on my old Vito tenor, tonal-wise not as good as on my Selmer for richness etc but pretty good from ppl hearing me play.
So .. the most important thing is the player then the horn (which can be broken down by mpc, neck, horn, lig, reed, et all for those suffering from GAS)
the major diff between that Vito and my Selmer (and for thet Couf/JKs I had) was the ergonomics. For me, the ergonomics was key in being able to improve my playing ability. Some/most ppl may not have a problem per say, but i have a certain "fused" problem in my wrists which causes issues with key layout - even playing a Couf tenor for years, I picked up a Selmer and in A/Bing them i could outplay myself on a Selmer due to the ergos.
I also sounded very good on my old Vito tenor, tonal-wise not as good as on my Selmer for richness etc but pretty good from ppl hearing me play.
So .. the most important thing is the player then the horn (which can be broken down by mpc, neck, horn, lig, reed, et all for those suffering from GAS)
the major diff between that Vito and my Selmer (and for thet Couf/JKs I had) was the ergonomics. For me, the ergonomics was key in being able to improve my playing ability. Some/most ppl may not have a problem per say, but i have a certain "fused" problem in my wrists which causes issues with key layout - even playing a Couf tenor for years, I picked up a Selmer and in A/Bing them i could outplay myself on a Selmer due to the ergos.