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Discussion Starter · #1 ·
So I have been looking at trying out the Ambika, and Gaia models. I love dark Coltrane sounds on the tenor. I'm not too sure about the tip opening to look for, I want to be able to play low C and lower easily without much effort when needed. As my Signature states I play Kessler Custom mouthpiece already which is a great piece, but I am looking for more. I Live in Boise so not too many shops around here carry much Sax accessories let alone Theo Wanne Mouthpieces. I found a shop about 20 miles from where i live that carries only a few Preformance-line pieces. It's not totally what I'm looking for but it will do for now to just try a few out. I also interested in the Vintified pieces, They look AMAZING! But i cant find a pricing guide or anything on Vintified pieces. Just wondering if anyone has comments on how well they play, or if anybody has a piece they like over the Theo's.
 

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Discussion Starter · #2 ·
Also, a little side note I don't like metal pieces too much, but the Vintified might surpass my decision on that. And how is the Wood piece? Does it just make it even more dark???
 

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Hi , if you're interested I made videorewiews for both gaia and ambika 8 for tenor in hard rubber.

ambika :
gaia :

I play an ambika 8 and I love it.
Dark spread tone with good projection , very even register and subtones are to die for!
Compared to gaia the ambika is darker and requires a little more air.
They both have the true large chamber design , the gaia has a little rollover baffle , the ambika has a "concave shape" , it's almost no baffle at all , but it still projects great.
Anyway my reviews are more accurate than this message, so if you are curious after you'll watch them feel free to ask whatever you want.
Bye , hope this helps.
Fabrizio
 

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Discussion Starter · #4 ·
Awesome, I'll check it out soon. Thanks, John
 

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I have some sound clips and reviews of most of the Wanne pieces on my site. I preferred the Gaia the most but that is just me. The Gaia had some nice highs in the sound but was smooth and velvety sounding. Really great sounding. as far a wood or metal I think they are close in sound. You have to try them and decide for yourself. Call them and order a few and keep the one you want.
 

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Discussion Starter · #6 ·
Ya, the only problem is the money. I would totally enjoy just ordering a couple and trying them out for a week, but I dont have 1200 to throw in the hole for a couple weeks. I know its all refundable be Geez, that's a lot of money. I will definitaley try the ones I can out, it's just too bad that I live in a small city. If I lived where I used to I could have tried all of them out today, but that's another story folks! Thanks for the info... John
 

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John,

My name is Matt and I work with Theo--

is there a particular reason that you don't favor metal pieces? I also think that you might be surprised by the Performance line pieces--if you're looking for a darker sound, you would want to try out the Brahma (which is available in HR and brass). It is similar to the Gaia, but with a little bit less of a spread sound and a little more core to it.

I am happy to answer any questions you might have about any of our pieces--

take care,
Matt
 

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Hey saxyman. I grew up in Kemmerer, Wyoming so I know what you mean about a lack of music stores. The only place I used to go sometimes was Summerhays music center in Salt Lake City. There was a guy there named Ernie Northway that was extremely helpful, also makes great custom mouthpieces if you're after a bright Pete Christlieb kind of sound.

It's hard to say much about the different models or sizes without just trying. And maybe that means going for something and then trying to trade it here later for a size higher or lower. I have been playing Wanne's pieces on soprano and bari for some time but just got a Gaia metal 10 on tenor. I think it's fantastic, at least as good as my main piece which is a Frank Wells customized Florida Link. It's also a bit darker than my link, and probably about as dark as I would want to go. I'd say, if you really want the darkest sound possible than the Ambika could be a great choice. I did try one a while back in wood and it wasn't so far from the Gaia metal I had to compare it to, but there was a difference. But if you want a tad more versatility, perhaps the Gaia is a good bet.

It terms of size, that's very personal. However, I've found all Wanne's pieces play so easily, for me they feel one size smaller than they are. In fact I got a great deal on this Gaia 10 because the owner felt it was too small (not a common reaction for sure). I was even considering getting it opened up a little, though it plays so well I think I'll wait a few months and see how I feel. What size is your Kessler? If it has a smaller chamber you may need a bit more air for either of these pieces. Generally a 7 is a very standard tip and one that would probably be easy to trade if you wanted to get something bigger later. Really depends what you're after. Also, I'd bet during your trial you could get a pretty good idea how the size suits you and Matt, I'm guessing, would be able to swap pieces if need be.

Hope this is somewhat useful, good luck!
 

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Of topic but I grew up in Libby Montana myself, way up in the Northwest corner of the state. Spokane Washington was the closest place (4 hour drive) to get anything. I live in the Chicago area now, no Theo pieces here to try either. Two great sax shops in the area, Band Source and PM Woodwinds. I met Frank Wells here before he passed, legendary guy.
 

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Also, a little side note I don't like metal pieces too much, but the Vintified might surpass my decision on that. And how is the Wood piece? Does it just make it even more dark???
In the long search for a darker, yet versatile, tenor mpc, I ended up with the Ambika in wood, rubber and metal. Not alot of difference between them, however the wood is slightly darker and a bit more limiting. The metal is darker than the rubber, and more versatile. If I had to only buy one, it would be the metal one. No problem with any note on them ... they just pop out !

W.
 

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Discussion Starter · #12 ·
well thanks for the info guys. I was able to try a HR Brahma 7*. I thought that compared to my prior mp that it was a lot more responsive and way more projective. I really wanted to try different mp but the owner of the shop said he only had this one and was not thinking of buying more for a while. He was willing to sell it for 325, which in my mind is an awesome deal. I wish money was available because I know i would be enjoying it still. I will keep an eye on his shop to see if he gets anymore, but until then, my journey is still moving forward.
 

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I have the Gaia tenor in both metal and ebonite 7*. Unlike wmclean I find the ebonite more flexible than the metal; there is something lighter and more maneuverable about the feel of the ebonite to my mind (although objectively there is little difference in sound).

I have used the ebonite Gaia in classical orchestras recently so it can play quite dark, but I had to be very selective with reeds indeed. In an attempt to make my life easier I have ordered an Ambika which should be with me soon. I'll let you know how it compares.

I tried a Brahma for a short period and found the sound somewhat less complex and slightly harder than the Gaia, but I can see that that might be an advantage under certain circumstances.
 

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I now have the Ambika tenor piece I ordered and it is really fabulous. I think that for comfort and sheer enjoyment of playing this is terrific.

I got it in a 6* because the slightly closer facing enables me to use a harder reed yet still get easier articulation in the low register than on the Gaia 7*, very good for the quasi-classical use I personally have in mind for it.

It's darker than the Gaia for sure and of course it has the characteristic large chamber sound associated with Theo's pieces, in fact I think the tonal beauty of Theo's pieces is most evident in the Ambika simply because there is less 'projection' built into the sound allowing the pure core sound to come to the fore. (Afterthought: this piece does not lack 'projection' actually, even though it is less bright than Theo's other models it still projects well.)

To my mind it will work very well indeed in an orchestra, but it doesn't sound anything like a Vandoren or Selmer tenor mouthpiece. With a different approach it will be fine in a jazz setting, but that isn't really my main area of work.

All in all I am delighted by the Ambika, it's a beauty.
 
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