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Discussion Starter · #1 ·

Does anyone know who the tenor player is on this?

I already called in to the label and got very kind assistance, and am waiting on info back, which should indeed come, but my curiosity is bigger than I think the label may be able to answer.

Whoever that player is, elements of his playing remind me so much of a dear friend and hero of mine that passed away in the wake of Katrina, Frederick "Shep" Sheppard. The overlap is enough that at first I thought it might be a younger Shep, from before the time that I knew him.

The main knowledge bank person, though (not naming him because not everybody likes to see their name thrown out on the web), was sure that it isn't Shep, although it was apparently not uncommon for Larry Willis (pianist, known, and a mainstay of the label) to hire studio musicians from NOLA.

There is a player on their label named Bob Kindred (and a thread here about Kindred, which is beyond great) that I could see being the tenor man on that recording, above, but I haven't been able to find anything credited to Kindred in a Country or Blues format.

There is a line of descendancy here, maybe, that really interests me. There is too much particular, similar spirit and technique in the playing on that Mapleshade recording between the tenor player and Shep for it to be merely coincidence. It really interests me, and I'd be grateful for any info any one can share.

I just learned by looking for this info, by the way, that you can run back recent radio shows on WWOZ (inarguably the greatest radio station on earth!) in that area where the link posted above is archived.
 

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Discussion Starter · #2 ·
Holy crap. Continuing to search, am shocked at the initial possible answer, but I can believe it could be this guy: Lou Marini!


As suggested here:


The playing style in the Blues Brothers clip maintains possibility.

I still have the same question about Marini, if indeed it's him on the bad*ss Harvey Thomas Young recording.
 

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Discussion Starter · #3 ·
Yeah. Now it can be told. It's Marini.


It is crazy how much spiritual, technical and expressive overlap there is between Shep and Marini. This question's not going to leave me without answers. Any insight into Marini's development, especially his R&B "bag" and direct influences is very much appreciated.
 

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Discussion Starter · #5 ·
Consolation prize, kinda cool for a few different reasons, to make up for the mystery being solved:

That recording is of Shep. Maybe that hints at why I'm so curious.

One reason that recording is cool: I was there for it. Live, it was even more out of tune than you hear in that clip, now, which is pretty out of tune. There was a little toddler, maybe 5 years old that was playing trumpet, and the whole recording was done live. I always thought it was never released. Who knows, maybe I was right and it's a private, straight to Youtube release.

The trading between Trombone Shorty (Troy Andrews) and Shep, there, is very special. Troy grew up attached to Shep's leg, and that exchange is, IMO, some of the best playing on recording that Shep did in his last years. It was a great tragedy that the track (I thought, til now) was prevented from reaching the public by intonation issues. I love his playing on that so much, and as someone who knew him closely and well to me it encapsulates so much of his spirit and style.

They have something deeply in common, Shep and Lou Marini, down to very personal, subtle little things (e.g. how they play the palms and always are looking for the intensity in what they're playing, to never be "off," always "on," but struggling to get there). I puzzle over what it is, their commonality, and I suspect it is something more than personality.
 

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It is crazy how much spiritual, technical and expressive overlap there is between Shep and Marini. This question's not going to leave me without answers. Any insight into Marini's development, especially his R&B "bag" and direct influences is very much appreciated.
[/QUOTE]

I am loving that Canteloupe Island video. I am loving his tone and soulful playing. Gonna have to listen to more of his playing!
 
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Discussion Starter · #7 ·
It is crazy how much spiritual, technical and expressive overlap there is between Shep and Marini. This question's not going to leave me without answers. Any insight into Marini's development, especially his R&B "bag" and direct influences is very much appreciated.
I am loving that Canteloupe Island video. I am loving his tone and soulful playing. Gonna have to listen to more of his playing!
[/QUOTE]

Me, too.

Couple of articles that have come up so far below. The search continues. Looking for info on Frank Corbi, now.... :geek:


 
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