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Yeah it's an alto. A NW I from 1923 SN 122,9XXI have a GP conn NWII Alto that I would love to have this done on. Was your Conn an Alto?
Yeah it's an alto. A NW I from 1923 SN 122,9XXI have a GP conn NWII Alto that I would love to have this done on. Was your Conn an Alto?
I was trying a Zephyr Tenor at my tech's shop a while back and noticed that. Way worse than my New Wonder. All I can figure is that Bb minor didn't exist back then :TGNCHK:The late King Zephyrs are a bear on the left hand pinky as well. My 1926 King Bari has no way of going from low Bb to low C# either. Other than that, it's a very comfortabel and ergonomic table.
Man, Lance does great work. That looks really beautiful, congratulations! and I'm sure it plays a million times easier than the original table. I'm very happy for you.Hey fellow Martinmodders, I just wanted to post some pics of my finished horn. Pretty beautiful work, if you ask me.
I'll be posting a review of how it plays soon.
The King I'm working on is a Voll-True I with the fixed neck, keyed to high Eb, and the neck bow bends to the Right instead of the Left. Is your's the same?Say, MartinMods, I know you were working a Bari just like mine ('26 King New Series-aka Improved). How'd that turn out? All I'm interested in is the MartinMod pinky cluster. My tech can install it.
Identical, except it's keyed to high F (from the factory!). I have pictures below. I already have some mods done to it.The King I'm working on is a Voll-True I with the fixed neck, keyed to high Eb, and the neck bow bends to the Right instead of the Left. Is your's the same?Say, MartinMods, I know you were working a Bari just like mine ('26 King New Series-aka Improved). How'd that turn out? All I'm interested in is the MartinMod pinky cluster. My tech can install it.
Lemme see what I can come up with.Identical, except it's keyed to high F (from the factory!). I have pictures below. I already have some mods done to it.
No problem. Conn, older King, Martin, Buescher, soprano, alto, tenor, bari, bass, the principle is the same. The hing rods all go up the left side of the horn (from the player's view). Extend the arms and adjust the new spatulas' angle to feel good. You'll notice that the horn feels a little bigger and more stable in your hands, more balanced between the R and L pinkies, and that sense of solidity in the L pinky, really frees one to play with more authority or reckless abandon, if you will, and that's just from the feel of it in your hands. Then, once you become comfortable with the technique of playing the LH mod (there is a technique for really getting around on any LH key mechanism) the low end of your horn suddenly becomes a cool place to hang out. It's amazing what having control of the few extra notes can do for your playing and your sense of being a saxophonist. Email me at [email protected] for more info.Can you make a better left hand table for a conn 10m tenor?