i find that there are many different variations depending on the sax you have, how you blow etc. experiment.
There's an older Saxophone Journal with a David Pope piece (with cd) on this: it works pretty well for tenor. He makes some useful distinctions about different kinds of multiphonics and how the tone production works.democratruler said:Does anyone have like a fingering chart for multiphonics or can someone tell me some fingerings for them?
I second that recommendation. Be sure to search for Les Sons Multiples aux Saxophones, published by Salabert. Here's a place one search turned up, as I ordered mine years ago. Give Eble Music a try as well. Their web site is sporadically down, but try E-mail: [email protected] or Telephone: 319-338-0313 Fingerings are very specific to each saxophone, and provide specific dynamics that they are effective at, etc. Highly comprehensive, and certainly the standard resource for classical/concert saxophonists. Many pieces will provide a reference in the score to K.121, etc., which refers to Kientzy fingering #121.Angel said:I've read many books, articles, etc on multiphonics and have to say that far and away the most comprehensive multiphonics book is by Daniel Kientzy. http://www.kientzy.org.
More possibilities, more fingerings, explanation, notation, everything.
Available from Kientzy or you can get it from Vandoren or Dorn Publications I believe.
Angel
Do you know the number of this issue of Saxophone Journal?There's an older Saxophone Journal with a David Pope piece (with cd) on this: it works pretty well for tenor. He makes some useful distinctions about different kinds of multiphonics and how the tone production works.