No, but I've had a favorite mouthpiece that wasn't a good match for a horn I picked up, so I found a different mouthpiece for it. Wanting a mouthpiece to work, for whatever reason, is the worst reason to play one.Have you ever had a mouthpiece that you really wanted to play such that you went in search of a saxophone that would match it?
I'm definitely matching my mouthpieces with the Fiberreed Carbon reeds, as I'm not very motivated to move back to cane. Very stable and responsive reeds, but on the bright and rather thin side tone wise. So big chambers all the way, old style. Still not clear what is the best match on soprano.Or, taking it one step further, a reed.
No.Have you ever had a mouthpiece that you really wanted to play such that you went in search of a saxophone that would match it?
Yes, I’ve been playing pieces with a little more baffle and larger chambers lately (10MFAN Robusto and a Theo Wanne piece). As a result my tone has been a little more brilliant and less focused. So I’ve been looking for a darker reeds and a darker more focused instrument than the Yamaha 62/82 platform (AKA Selmers).Have you ever had a mouthpiece that you really wanted to play such that you went in search of a saxophone that would match it?
I've found the perfect mouthpiece match for Fiberreed.I'm definitely matching my mouthpieces with the Fiberreed Carbon reeds, as I'm not very motivated to move back to cane. Very stable and responsive reeds, but on the bright and rather thin side tone wise. So big chambers all the way, old style. Still not clear what is the best match on soprano.
So I've got this really cool- sounding ligature, and I'm having the toughest timeEvery setup should be based on the mouthpiece cap.