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Can anyone tell me what modes are used on this tune?

(I'm referring to the song called milestones that was the title track of the album with the Cannonball/Trane sextet)
 

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Is this the most common interpretation of the implied harmony for this song? With the key signature in F, I'm hearing Bb Lydian for "A" and B Phrygian for "B" according to the harmonic analysis at SongTrellis.
 

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Is this the most common interpretation of the implied harmony for this song? With the key signature in F, I'm hearing Bb Lydian for "A" and B Phrygian for "B" according to the harmonic analysis at SongTrellis.
Bb Lydian= G Dorian. Same collection of pitches.

B Phrygian = A Dorian. Same pitches.
 

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Is this the most common interpretation of the implied harmony for this song? With the key signature in F, I'm hearing Bb Lydian for "A" and B Phrygian for "B" according to the harmonic analysis at SongTrellis.
There's something not right about the voicings in that link, not to mention the analysis. Maybe just that the bass part is missing. It's not Bb Lydian when the bass is playing in Gm.

Just go back to the original recording, and look at the way Miles & Ball & Trane played over it. Three superbly melodic solos.

A section is 6 bars G minor (dorian is implied in the harmonies), last two bars are F Major (Miles implies F lydian on it sometimes).
Bridge is A minor. The F in the tenor part implies aeolian mode but all three soloists treat it like any other A minor.
 

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Thanks guys.

(slaps self on forehead)
 

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Off topic, but this tune makes a great ringtone!
 

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Bb Lydian= G Dorian. Same collection of pitches.

B Phrygian = A Dorian. Same pitches.
DukeCity, you're making it too simple. I think some folks on here prefer to make it more complex! :)
 

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DukeCity, you're making it too simple. I think some folks on here prefer to make it more complex! :)
. . . or just play in Fmajor and when you hit the bridge play F#s and B naturals. :twisted:
 
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