I doubt it. The low A alto, of which a mark VI is the most common I've seen, never really caught on. I guess that doesn't mean a manufacturer would be opposed to making a one-off custom for the right price.
I wish them luck...the market for a low A alto is extremely rare. The only reason the low A was ever put on the alto was because when Marcel Mule was a developer for Selmer Paris, Marcel had specially requested it put on the Mark VI, which he helped engineer a lot of btw (for all you jazz die-hards ). I'm not sure whether Marcel had run across the low A in classical literature and had either forced him to play a normal A, or if he had some sort of contraption built into his SBA horns, but either way, that's why it's there.
It might sell for a bit, as considered a "cool" horn, but the fad will fade and the producer might be left with little to show for it.
Mule had a Low A built because at the time, saxophone literature was still in is infancy to some degree. Mule relied heavilyon transcriptions, and he loved to play a certain Viola Concerto (the composer escaped me at the moment). The lowest note on Viola is concert C, so Mule needed a lot A to perform the work effectively.
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