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hey all, looking for the best fingering to do the altissimo F#-G# trill in movement I. any suggestions?
I agree!tracy285 said:Use Fork, 2nd Finger, and Side Bb, for F# lift 2nd finger to trill to G#.
You're an excellent player. Great sound!eronmark said:It is F#-G.
My favorite fingering is:
Left Hand - index finger on B, middle finger on bis
Right Hand, high f# key (C5)
Trill bis.
I have a pdf of some of my altissimo trills on my site if you want to check them out (click on resources).
Erik
___________
Erik Rönmark
www.concertsaxophonist.com
www.newmusicdetroit.com
Thanks for that. Very handy, also for a non-classical player. Great resources on your site, and beautiful playing!It is F#-G.
My favorite fingering is:
Left Hand - index finger on B, middle finger on bis
Right Hand, high f# key (C5)
Trill bis.
I have a pdf of some of my altissimo trills on my site if you want to check them out (click on resources).
Erik
___________
Erik Rönmark
www.concertsaxophonist.com
www.newmusicdetroit.com
Yes, and now I think I have some semblance of an answer to this. I have a recording where rascher is fluttering tonguing in place of some of the trills also does slap tongue on some of the staccato notes. This might suggest why JEK was doing that. From what I've heard, it's acceptable to do either.Thanks for the thread--but as mentioned earlier by Dannel, there seems to be other things that I may be missing in performance practice. For instance, the flutter-tonguing of notes that are otherwise notated as trilled.
Is there a manual as to which instances these happen, or WHY they are what they are? As another example--why does John Edward Kelly slap tongue the section from mm. 94-103? I'd love to insert these into my interpretation, or at least be aware of their existence.
Feel free to PM me.
Cheers!