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Yesterday I received the two flutes I had mentioned being interested in testing, the yamaha 321 and the jupiter 611. They're both really nice flutes, both with their own pluses and minuses.

I can give some impressions if anyone's interested. I'll just try to hit on some of the points that stood out for me, so feel free to ask any questions, as I'm not really experienced enough in flutes to know everything I should be looking for.

Out of the box both are very visually appealing. The yamaha has a little bit more of a "forged" look or something. Hard to explain because they're both shiny. But the jupiter is shiny more in a "mirror" kind of way, while the yamaha has a kind of "milkier" looking silver (though still shiny). I guess anyone who has a yamaha knows what I mean. Both are very nice in appearance, though. The yamaha case, on the other hand, is pretty crappy, imo, whereas the jupiter case is not only nicer, but also comes with a zippered and padded nylon cover bag that is pretty nice.

Back to the flutes, the yamaha seems to be a little better constructed. It just feels a little more "solid." The keys on the yamaha are very smooth, though maybe a little high and harder to press down. The jupiter keys have a slightly better "action" (easier to press down), but all the RH keys have a little bit of extra (and annoying) "clack" to them, especially the E and the C#. That is a major detractor for me, as it seems as if a new flute shouldn't do that, and is also part of the reason it feels less well constructed (not meaning poorly constructed, just not as finished as the yamaha). Maybe after a while the pad would get moisturized and expand a little, I don't know, but like now if you are doing an E trill, or even just pressing the keys, you can hear it clunking, etc. It's a little annoying.

Both flutes are comfortable to hold, but I'm used to plateau keys, so the yamaha feels more natural to me, while the convex keys of the open hole jupiter make the entire flute feel a little bulkier. The split E on the jupiter also contributes to the bulky feeling, and sometimes my hand seems to interfere with the mechanism. That would just take a minor adjustment, and I can see being used to either one.

The tone on the jupiter is definitely brighter, sharper, and possibly even a little less "refined," whereas the yamaha seems a little "darker," smoother, and I might even say richer. There seems to be a very good balance in the yamaha between the lower register and the second register, with the sound not thinning out at all as you go up to C, C#, D, and through to G3 (pretty much the top of my functional range right now). The jupiter is very good in that respect too, but I think because it starts out a little brighter, it tends to sound *slightly* more harsh in the second octave, but meaning only in comparison to the yamaha. The jupiter seems to have a more "direct" or "linear" tone, if that makes sense.

The split E doesn't seem to make the high E any easier on the jupiter than on my old flute (edit: no split E), but the E on the yamaha (edit: also no split E) is definitely harder to hit than all three flutes (that's always been a "problem note" for me). So I was disappointed that the split E on the jupiter didn't seem to afford much of an improvement.

The jupiter seems to have less air resistance, and is easier to get a note out of. And while I said the yahama was richer sounding, the interesting thing is that a lot of the lower notes (esp. D) can sound more resonant on the jupiter. A lot of that can be affected with technique, etc. but I mean just a vanilla note. I think because of the "brighter" or more forward/linear sound of the jupiter, maybe it just tends to resonate more in these acoustics? (playing in my kitchen :p)

So which one am I keeping?

No, seriously, I'm asking: which one am I keeping? :confused:

Actually I'm joking, but what I mean is that I really can't decide so far. If either, I'm leaning toward the yamaha, because I like the tone better and it's slightly more comfortable to hold. If it's possible to lower the keys or loosen up the action on flutes, I think I would definitely go with the yamaha. As both flutes are now, the jupiter is a little easier to play -- it's strange with the convex keys, but its more of a feeling that the key is coming up to meet you, which makes it feel faster and easier to improvise on -- but I do prefer the tone of the yamaha.

I think actually so far, while I like both flutes, I am not 100% satisifed with either one, and might send both back and try something else, maybe even a step up or the Pearl 665. I still have until the end of next week to test these more and decide, but TBH, aside from the obvious mechanical advantages of the new flutes over a 30 y.o. flute that's never been serviced, is covered with tarnish, "dust gunk" in the mechanisms, etc., the tone and even playability of my old silver head armstrong actually stands up pretty well to these, amazing as it might seem. I'm seeing now that with some work, that would actually be a really nice flute (I actually like the tarnish, I think it makes it look cool :-o). So maybe I'll save up and increase the budget and keep looking at the next level. If I get the armstrong repaired, I don't really see much of an advantage to the yamaha and jupiter in comparison to it -- definitely not $700-800 worth of improvement (bought the armstrong for $50). I think I would have to go to the next level to get a meaningful upgrade.
 

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Starcycle,

I don't remember if the Yamaha 321 has a split E. My older 200 series does not. I simply use a high E fingering without the pinky Eb being held. With this fingering high E pops right out. No problem!

PS, One thing to consider in your decision is how in recent years significant improvements have been made in "student" flutes by the likes of Yamaha and Jupiter....especially, in the cut of their head joints.

Roger
 

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Hmm, ive only been playing a year (this month infact) but I find E3 easy, F#3 and G#3 are more difficult for me (getting them now though, played long tones up there a lot today which helped, got up to B3, highest controlled note yet).

It`s as if F#3 and G#3 are less forgiving, got to get the embouchure just right and have the note in your head (works for me anyway). Not sure why this is, not looked into it, but have heard from one flautist that F#3 is a difficult note (for some reason), not sure about G#3, might just be me, getting it together anyway.

I keep my Eb key down for E3 on my Pearl 665E (which has a split E), just copied the fingering off the standard charts and it works so I haven`t thought about it or tried any alternatives yet (wouldn`t be much hassle to remove the Eb finger if it was necessary, not quite sure how the various E mechanisms differ, might look into it now actually).
 

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the 221 does not have a split E. The split E appears on flutes with a '1' in the middle position...e.g. my 311 has a split E
 

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Discussion Starter · #5 ·
the 221 does not have a split E. The split E appears on flutes with a '1' in the middle position...e.g. my 311 has a split E
that's right -- this one (321) does not have a split E. I just edited the post to clarify that, thanks to everyone for pointing out that ambiguity.

@Anton: for me F#3 is usually easier! I've seen people mention with spit E that their F# gets harder, so apparently there is some physics connection between the two notes. I can play E okay, it's just sometimes during passages it wonks out on me. the embouchure for that note just seems like it needs to be weirdly different than the surrounding ones. just needs more practice. ;)
 

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id say yamaha
also id say get the 221
yamaha's 2xx 3xx and 4xx sound virtually the same
 

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Discussion Starter · #7 ·
id say yamaha
also id say get the 221
those seem to turn up on ebay a lot. there's at least one on there now for almost half the price as the 321. I was thinking of returning the 321 and just getting a 221 instead. I could just repair the armstrong, but by the time I put all the expense into that, I might as well just get the yamaha, I think.
 

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@Anton: for me F#3 is usually easier! I've seen people mention with spit E that their F# gets harder, so apparently there is some physics connection between the two notes. I can play E okay, it's just sometimes during passages it wonks out on me. the embouchure for that note just seems like it needs to be weirdly different than the surrounding ones. just needs more practice.
Interesting, thanks, will have to look into it (not that it will make much difference I suppose, just more practice required as you say, still interesting though)
 

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those seem to turn up on ebay a lot. there's at least one on there now for almost half the price as the 321. I was thinking of returning the 321 and just getting a 221 instead. I could just repair the armstrong, but by the time I put all the expense into that, I might as well just get the yamaha, I think.
the yamaha is WAY better than the armstrong can ever be no offence.
from what ive heard it seems like an older armstrong?

unlike saxes
older flutes are nothing compared to the new ones.
 

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those seem to turn up on ebay a lot. there's at least one on there now for almost half the price as the 321. I was thinking of returning the 321 and just getting a 221 instead. I could just repair the armstrong, but by the time I put all the expense into that, I might as well just get the yamaha, I think.
In my experience the heads on the 300 series are far superior to the 200 heads tonally, although the 200 heads are VERY easy to blow...
 

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In my experience the heads on the 300 series are far superior to the 200 heads tonally, although the 200 heads are VERY easy to blow...
really
i tried a new 261 a 361 and a 461 and could tell NO difference
i was wrong every time i tried to figure out which one i was holding.
 

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"i tried a new 261 a 361 and a 461 and could tell NO difference"
Likewise. Many players find this. It is the cut of the head that makes the difference, not the material. The cut for 200, 300 & 400 is all the same.

There is no physics link between E# with split E, and F#.

However, E3 and F#3 both require a higher minimum breath pressure than the surrounding notes do, the surrounding notes being less fussy about pressure. If a split E has enabled the player to get more lazy about maintaining high breath pressure around these notes, then the player may notice more, the extra pressure required for F#. Just a perception thing. That does NOT mean that the F# fundamentally more difficult on account of the presence of the split E.

Re Jupiter and Yamaha: I keep hearing how Jupiter have made improvements, yet every time I get intimately familiar with a Jupiter, from servicing one and then play testing it, I am disappointed with it compared with the Yamahas I work on. Go figure.
 

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Discussion Starter · #13 ·
In my experience the heads on the 300 series are far superior to the 200 heads tonally, although the 200 heads are VERY easy to blow...
this 321 head is pretty nice, I have to say. I put it on the jupiter and the jupiter sounded way better. I'm a little reluctant to return it only to get a flute with silver plated head on ebay that doesn't have as nice a tone and that I can't return. it would be 50-60% less, though, for possibly close to the same thing, if fluteypicsax and gordon are right. I hate these kinds of decisions. :p
 

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Hi! Has anyone the same experience? I have a Yam 221 with a silver HJ SY cut. Everytime I play karaoke style along with a professional recording, it's never completely in tune with the CD. Then I use the original CY cut HJ, same story. Of course I blame it on my own faulty intonation. However I also have a Trevor James Privilege, and this is time, the intonation is right on the button.

Re Yami vs Jup, go for the Yam. Their quality control is 2nd to none. IMHO.
 

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Discussion Starter · #15 ·
I'm having a hard time giving up the 321, even if the 221 supposedly sounds the same! The more I play it, the more I can hear how good it sounds compared to the jupiter (and especially to my old flute, of course). It kind of seems to me that the jupiter is intended more for a band or marching band kind of instrument, while the yamaha is more solo or orchestral.

I did a blind playing test this weekend for some family and friends, and they all chose the yamaha time and again. Actually, what was interesting was at first listen, with only a very short passage or just a scale or two, almost everyone chose the jupiter. I think the brightness and more forward tone of the jupiter makes it stand out more. When I played some longer passages, however, everyone apparently began recognizing the increased tonal complexities of the yamaha, and they all started picking the yamaha. Once it was revealed which was which (incluing the armstrong, which no one picked :p) we could all hear the differences very clearly. yamaha FTW.

I just can't believe, though, that the silver head makes no difference in tone. If you had some sort of oscilloscope or whatever that measures sound waves, I can't believe that the silver head wouldn't appear to be different. I think there must be some variation present, subtle or not, between the two that affects tonal quality, whether the differences are consciously recognized by most people or not. Not to sound like an idiot, but why else would it cost more? It can't all be marketing, can it? And why do pros or semi-pros who buy the 221 say they put a silver head on it? If the silver plated hj is just as good, why not leave it? I'm still open to switching to a 221 for the cost savings, but I really don't want to lose anything in sound quality, whether it's subtle or consciously perceived by most people or not.
 

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There is definitely a difference between the Yam silver SY cut, and the standard stock CY cut that came with my 221. That's why I decided to upgrade in the first place. The higher notes are easier to achieve with the silver SY. I think this is due to the design of the HJ, rather than what it's made of.

Another example, the HJ of my Trevor James Privilege is plated, but compares well with the Yam silver SY cut.
 

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"... Not to sound like an idiot, but why else would it cost more?... "

Yes, marketing. Because people like you, led by their beliefs and indoctrination, are prepared to pay more. Great! Sell silver at many times what it is worth.

"... And why do pros or semi-pros who buy the 221 say they put a silver head on it... "
what they mean is that they put a professional head on it. A professional head has a more refined shaping of the embouchure hole and its surroundings, which does make a huge difference. Most professional heads are made of silver or precious metals. One reason is that they usually look better for longer. The other is marketing.

"... but I really don't want to lose anything in sound quality, whether it's subtle or consciously perceived by most people or not... "

The way that beliefs work..... If you believe silver is going to play better for you, go for it, and it probably will.

Do you believe that a silver fork will make food taste better?
Would a silver car go faster and smoother?
But do you feel better wearing a pure silver adornment than a plated one?
 

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Discussion Starter · #18 ·
"... Not to sound like an idiot, but why else would it cost more?... "

Yes, marketing. Because people like you, led by their beliefs and indoctrination, are prepared to pay more. Great! Sell silver at many times what it is worth.
It is kind of suspicious. I had been comparing new/retail to the much lower prices on ebay, but looking at the fluteworld site again, I notice that the 321 is only like $40 more than the new 221. So that would seem to suggest the difference actually is not that great.

Would the resale value be a different story, however? Most of the used 221s are going for $200-300, which is a great savings over new. I don't see any 321s -- do they perhaps hold their value better because of the perceived benefits of the silver head, mythical or otherwise?

"... And why do pros or semi-pros who buy the 221 say they put a silver head on it... "
what they mean is that they put a professional head on it. A professional head has a more refined shaping of the embouchure hole and its surroundings, which does make a huge difference. Most professional heads are made of silver or precious metals. One reason is that they usually look better for longer. The other is marketing.
okay.

The way that beliefs work..... If you believe silver is going to play better for you, go for it, and it probably will.
the voodoo theory of flute playing. :eek: I like it! :D

Do you believe that a silver fork will make food taste better?
I believe it might sound different than a silver plated fork if you bang it against the table. :p

Just curious: do you think silver flutes sound different than gold or platinum ones?
 

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Yesterday I received the two flutes I had mentioned being interested in testing, the yamaha 321 and the jupiter 611. They're both really nice flutes, both with their own pluses and minuses.

I can give some impressions if anyone's interested. I'll just try to hit on some of the points that stood out for me, so feel free to ask any questions, as I'm not really experienced enough in flutes to know everything I should be looking for.

Out of the box both are very visually appealing. The yamaha has a little bit more of a "forged" look or something. Hard to explain because they're both shiny. But the jupiter is shiny more in a "mirror" kind of way, while the yamaha has a kind of "milkier" looking silver (though still shiny). I guess anyone who has a yamaha knows what I mean. Both are very nice in appearance, though. The yamaha case, on the other hand, is pretty crappy, imo, whereas the jupiter case is not only nicer, but also comes with a zippered and padded nylon cover bag that is pretty nice.

Back to the flutes, the yamaha seems to be a little better constructed. It just feels a little more "solid." The keys on the yamaha are very smooth, though maybe a little high and harder to press down. The jupiter keys have a slightly better "action" (easier to press down), but all the RH keys have a little bit of extra (and annoying) "clack" to them, especially the E and the C#. That is a major detractor for me, as it seems as if a new flute shouldn't do that, and is also part of the reason it feels less well constructed (not meaning poorly constructed, just not as finished as the yamaha). Maybe after a while the pad would get moisturized and expand a little, I don't know, but like now if you are doing an E trill, or even just pressing the keys, you can hear it clunking, etc. It's a little annoying.

Both flutes are comfortable to hold, but I'm used to plateau keys, so the yamaha feels more natural to me, while the convex keys of the open hole jupiter make the entire flute feel a little bulkier. The split E on the jupiter also contributes to the bulky feeling, and sometimes my hand seems to interfere with the mechanism. That would just take a minor adjustment, and I can see being used to either one.

The tone on the jupiter is definitely brighter, sharper, and possibly even a little less "refined," whereas the yamaha seems a little "darker," smoother, and I might even say richer. There seems to be a very good balance in the yamaha between the lower register and the second register, with the sound not thinning out at all as you go up to C, C#, D, and through to G3 (pretty much the top of my functional range right now). The jupiter is very good in that respect too, but I think because it starts out a little brighter, it tends to sound slightly more harsh in the second octave, but meaning only in comparison to the yamaha. The jupiter seems to have a more "direct" or "linear" tone, if that makes sense.

The split E doesn't seem to make the high E any easier on the jupiter than on my old flute (edit: no split E), but the E on the yamaha (edit: also no split E) is definitely harder to hit than all three flutes (that's always been a "problem note" for me). So I was disappointed that the split E on the jupiter didn't seem to afford much of an improvement.

The jupiter seems to have less air resistance, and is easier to get a note out of. And while I said the yahama was richer sounding, the interesting thing is that a lot of the lower notes (esp. D) can sound more resonant on the jupiter. A lot of that can be affected with technique, etc. but I mean just a vanilla note. I think because of the "brighter" or more forward/linear sound of the jupiter, maybe it just tends to resonate more in these acoustics? (playing in my kitchen :p)

So which one am I keeping?

No, seriously, I'm asking: which one am I keeping? :confused:

Actually I'm joking, but what I mean is that I really can't decide so far. If either, I'm leaning toward the yamaha, because I like the tone better and it's slightly more comfortable to hold. If it's possible to lower the keys or loosen up the action on flutes, I think I would definitely go with the yamaha. As both flutes are now, the jupiter is a little easier to play -- it's strange with the convex keys, but its more of a feeling that the key is coming up to meet you, which makes it feel faster and easier to improvise on -- but I do prefer the tone of the yamaha.

I think actually so far, while I like both flutes, I am not 100% satisifed with either one, and might send both back and try something else, maybe even a step up or the Pearl 665. I still have until the end of next week to test these more and decide, but TBH, aside from the obvious mechanical advantages of the new flutes over a 30 y.o. flute that's never been serviced, is covered with tarnish, "dust gunk" in the mechanisms, etc., the tone and even playability of my old silver head armstrong actually stands up pretty well to these, amazing as it might seem. I'm seeing now that with some work, that would actually be a really nice flute (I actually like the tarnish, I think it makes it look cool :-o). So maybe I'll save up and increase the budget and keep looking at the next level. If I get the armstrong repaired, I don't really see much of an advantage to the yamaha and jupiter in comparison to it -- definitely not $700-800 worth of improvement (bought the armstrong for $50). I think I would have to go to the next level to get a meaningful upgrade.
Jupiter Flute vs Yamaha Flute: Key Differences
When it comes to the Jupiter flute vs Yamaha flute, there are a few key differences to consider:
  • Price: The Jupiter flute is more affordable than the Yamaha flute.
  • Sound quality: The Yamaha flute is known for its rich and complex sound, while the Jupiter flute has a sound that is good, but not as rich or complex.

  • Material: The Yamaha flute is made of higher-quality materials than the Jupiter flute.
  • Ideal player: The Yamaha flute is best for advanced and professional players, while the Jupiter flute is best for beginners and intermediate players.
Read more from here
 
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