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Discussion Starter · #1 ·
To our fans and supporters,

Effective January 1, 2020 we have made the decision to discontinue production of the Julius Keilwerth MKX line of saxophones.

Here are the facts:

The MKX saxophone was developed as a professional model and alternative to the SX90R range to be offered at a more affordable price in what has become a very dense and competitive saxophone market. As everyone knows by now, the majority of this market is produced in Asia (various countries) that allows these instruments to be produced and sold for a much lower cost than those produced in Europe such as JK. So our challenge and objective was to produce a professional model that could be competitive in price while still providing the quality of an instrument made in Germany and from a brand such as ours. In this I believe we did succeed. The greater challenge for us however was the ability to produce the quantity of instruments needed (MKX and SX90R) to continue to promote and market both lines as they should be. Due to the nature of our production process, which is still greatly by hand with skilled craftsmen, our production capacity simply could not allow the quantity needed, effectively causing longer delays on firm customer orders while preventing the ability to have adequate stock on new models needed for promotion and marketing. So in the end it is quite simply a case of supply and demand, and making the difficult decision to discontinue one line (MKX) for the greater good of the other (SX90R) and the brand as a whole.

I am sure there are some (as there always are) who may still question or doubt this explanation or that this was the correct decision. I respect your opinion and ask only that you also respect ours and know we are sometimes faced with difficult decisions, but our only objective is what is best for the continued success and longevity of the brand.

For those of you who have purchased and are playing the MKX - I say THANK YOU for your support of this line and wish you many years of happiness with this instrument that I am very proud to have been a part of.

And finally, while production for this model has stopped, there are still some instruments available from authorized dealers in USA and abroad, and at least 2 units in our warehouse in Jacksonville available for purchase. (JK3000-8-0 - MKX tenor/lacquer)

Thank you all again for your continued support of Julius Keilwerth saxophones and Buffet Crampon USA.
 

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Thanks for the update Al.

All of us want to see Keilwerth succeed and continue to make great saxophones. Hopefully this will free up the resources to help meet the demand that the SX90R line is experiencing. And hopefully we will see many more great innovations in the future (like for the 100th anniversary in a few years? :twisted: )
 

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"The greater challenge for us however was the ability to produce the quantity of instruments needed (MKX and SX90R) to continue to promote and market both lines as they should be. Due to the nature of our production process, which is still greatly by hand with skilled craftsmen,

our production capacity simply could not allow the quantity needed, effectively causing longer delays on firm customer orders while preventing the ability to have adequate stock on new models needed for promotion and marketing. "

This is confusing (to me at least), you couldn't keep up with the demand, therefore you are suspending production?
 

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It's worth any wait. As you know Al, it took me almost 2 years to get one of the unicorn DLS sopranos. It was worth every waiting moment. Couldn't be happier. And for what it's worth: I really liked the MKX. It wasn't a compromise to the SX90 at all. It's it's own thing.
 

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This is confusing (to me at least), you couldn't keep up with the demand, therefore you are suspending production?
It's a pretty standard practice in the manufacturing business.

When you don't have the revenue to continue maintaining multiple production lines, you shut down one of them so you can put those resources into the remaining production line. Thereby increasing the supply for that line to meet the demand.

My guess is that the MKX was the slow seller, and most people who wanted a Keilwerth were buying the SX90 line. So they chose to stop production of the MKX and move those people, machines and raw materials over to the SX90 to meet that demand.
 

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It's a pretty standard practice in the manufacturing business.

When you don't have the revenue to continue maintaining multiple production lines, you shut down one of them so you can put those resources into the remaining production line. Thereby increasing the supply for that line to meet the demand.

My guess is that the MKX was the slow seller, and most people who wanted a Keilwerth were buying the SX90 line. So they chose to stop production of the MKX and move those people, machines and raw materials over to the SX90 to meet that demand.
Thank you, that makes sense,
 

· Forum Contributor 2017
“I play sax but mostly it plays me”
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That is just sad. The MKX line is a blast to play and of course extremely well made. Best of all possible wishes.
 

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If anyone out there is looking for an MKX tenor, I know of a shop that still has a gold lacquer model in stock. Just confirmed this morning. Price is $3244. PM me and I'll send you the hook up.
 

· Distinguished SOTW Member, Forum Contributor 2007-
ALTO: Medusa- 82zii, TENOR: Medusa, BARI: b901, SOP: sc991
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I’m still confused about the MKX line in comparison to the SX90 (which I’ve owned two of). I know cosmetically they are different, but what were the differences in the architecture? Was the main body tube a smaller bore? In other words, is this more of a Selmer type sax?
 

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Its more of it's own thing but leans more towards the Selmer/Yamaha vibe. The bell is still large, the bow still large, but the bore slightly smaller with keywork that resembles the Selmer or Yamaha feel. Was fortunate to try a few of them and I really liked them. It definitely did not feel like a typical Keilwerth.

It still maintains its deep rich, resonate sound that Keilwerth is known for
 

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Its more of it's own thing but leans more towards the Selmer/Yamaha vibe. The bell is still large, the bow still large, but the bore slightly smaller with keywork that resembles the Selmer or Yamaha feel. Was fortunate to try a few of them and I really liked them. It definitely did not feel like a typical Keilwerth.

It still maintains its deep rich, resonate sound that Keilwerth is known for
Definitely felt like a Selmer clone in hands, until you played it, then it felt like the familiar Keilwerth sound and resonance I have grown to love.
 

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Discussion Starter · #19 ·
Thank you all for the responses and kind words. Your support is greatly appreciated.

As mentioned earlier - there are still a few out there available with dealers, and there are two lacquer tenors at our warehouse in Florida that are up for grabs.
 

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I know where you can find an MKX tenor. But it's in the US.
thanks very much for that but...there is also one here in Melbourne in one of those stores you just don't dare enter :) plus I have just bought myself the Kohlert 57, have the SML Super 44 with my technician etc. Maybe I'll sell one of my motorcycles '-)
 
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