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He highlighted Ornette in an obligatory/wishy-washy manner.Paul Desmond and Ornette Coleman are on his list so I am happy!
You would figure that a self professed gear nut like him would know the difference, Peter.Sonny Stitt played a metal Otto Link Tone Master on alto in that video, not a Super Tone Master.
Leo Wright was a great alto player who's almost never mentioned in these kind of ranking lists.
mrpeebee a nerd question for you re Stitt's mouthpiece on the Loverman clip Circa 65.Sonny Stitt played a metal Otto Link Tone Master on alto in that video, not a Super Tone Master.
Alto Link's are always hard to identify and even more in moving video shots.mrpeebee a nerd question for you re Stitt's mouthpiece on the Loverman clip Circa 65.
There is a nice closeup of the shank at about the one minute mark, but I still can't be sure it's his Tonemaster from that shot. It may of course be the piece Tim Price spoke of, the Tonemaster with the Frank Wells enhanced baffle.
I know what Tonemasters look like but I just don't see enough high resolution detail to be 100% sure it is the TM, he was of course reputed to play other metal Links--no USA's and DRs at various times. I gather that you see enough detail on this clip to be 100% certain that it is the TM?
Keith I understand what you're getting at but clearly he's trying to highlight the most original and influential from the swing to post bop eras. I think getting 7 or 8 out of ten right isn't bad but it's not a very coherent effort and it's a bit glib and self serving as well.I told him his list showed his age. It was based on the premise that no ground breaking altos came after 1975 and that we should all go back 60 years for direction. Do you think Bird spent lots of time studying the hip altos of 1890?? K