Everyone,
I am considering an upgrade from my current horn and have identified the Yamaha YAS-62 and possibly the comparable Yanagisawa alto, as well as a few vintage horns, as possibilities that are in my price range (I am a "weekend warrior").
I am looking above all for excellent playability, good fast action, and reliability -- one of the problems I perceive with my current horn (a reputable Taiwanese brand) is that it tends to go out of adjustment more quickly than I would like, particularly low B / Bb and the set keys associated with them. When I mentioned this concern to a few local players (who play MarkVI's and Series II's), their response (to my surprise) was that a Yamaha would not help me in this department, because they are notorious for having soft metal and going out of adjustment quickly.
I am wondering if there is any truth to this assertion. Stephen Howard mentions it briefly in his excellent write-up about the YAS-62 but it is hard to get an objective picture of how this affects real-life playability. Is it something I should be concerned about or a reason to avoid Yamahas in favour of other more affordable horns (e.g. vintage horns or other non-Selmer brands?) Is there a particular era of manufacture for Yamahas (or even the 61 vs the 62) that is preferable?
Thanks in advance for any and all comments.
I am considering an upgrade from my current horn and have identified the Yamaha YAS-62 and possibly the comparable Yanagisawa alto, as well as a few vintage horns, as possibilities that are in my price range (I am a "weekend warrior").
I am looking above all for excellent playability, good fast action, and reliability -- one of the problems I perceive with my current horn (a reputable Taiwanese brand) is that it tends to go out of adjustment more quickly than I would like, particularly low B / Bb and the set keys associated with them. When I mentioned this concern to a few local players (who play MarkVI's and Series II's), their response (to my surprise) was that a Yamaha would not help me in this department, because they are notorious for having soft metal and going out of adjustment quickly.
I am wondering if there is any truth to this assertion. Stephen Howard mentions it briefly in his excellent write-up about the YAS-62 but it is hard to get an objective picture of how this affects real-life playability. Is it something I should be concerned about or a reason to avoid Yamahas in favour of other more affordable horns (e.g. vintage horns or other non-Selmer brands?) Is there a particular era of manufacture for Yamahas (or even the 61 vs the 62) that is preferable?
Thanks in advance for any and all comments.