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Kenny G, Kenny Garrett VS Trane??? ***???
Ok. I'm wondering how many people here go out to hear live music? Anything live! In years past, I have made the effort to go out on a regular basis to listen to music. This last year I have sunk all my money into my busines and it's been hard to go out, but some things I can see for free and some gigs I just have to ante up and get a ticket for.
Last night I saw Javon Jackson with Benny Green and Al Foster at Jimmy Mac's club. The bass player was badd. Couldn't catch his name. Young cat, Corneilius? I don't know, he burned. How could you not, standing next to living legend like Al Foster?
Benny Green... Benny is one sick puppy!!
Anyway, Javon has been on my short list of guys to check out for a long time and so I had to go. I wasn't alone. There were quite a local heavy players in the audience too. I used to be such a critic when I was younger that I just picked every thing apart and anylized it to death. It almost wasn't enjoyable for me to hear bands. I always had this little voice in the the back telling me that either I should be up there playing the gig, or dang that MF would blow me off the stand. If it was really good, I'd be trying to take mental notes, rather than just be there and enjoy. Maybe that was mostly when I was a working player. Now, it's just not how I tick.
I had such a great time. Javon is solidly out of the Coltrane School. For me that ain't a bad thing. There were times when he sounded just like a young Trane from the Blue Trane period. Yeah, he quoted some licks verbatim and maybe a little plegerism was going on, but he sounded so good. Then, in the next phrase he would be himself, his own distillation of all his listening, playing and study of the music. Even when he ripped ideas directly from solos (I had the feeling that he has done a ton of transcribing), his understanding of how to play the horn, jazz conception, composition, soloing, band leading, group listening, made it all his own. In reflection, I could make the argument that parts of his playing were better or cleaner than Trane's.
They played Good Bait, some Stevie Wonder, Paradox, Flack/Hathaway's Where is the Love, Mr PC and Randy Weston's Hi Fly. It's easy to be critical and tear someone or something down, but this was just FUN. This group held your attention like a vice and after the set was over I felt like the Soul Vaccination had hit.
Portland has a great music scene, but it is still a little off the beaten path of most of the world class touring artists for the most part. Last week I saw Sonny Rollins and I'm still buzzing from that. Couple weeks back I saw Larry Carlton/Robben Ford, Tower of Power, David Sanborn. Last month I got to see Plaz Johnson and a local tenor player named Renato Curanto that should be on the national scene but is just hangin', raising a family and playing his butt off. Earlier in the year, I saw Chick Corea/Gary Burton Duo... Whew!
Who have you seen? Who do you buy a ticket for and stand in line to see?
Ok. I'm wondering how many people here go out to hear live music? Anything live! In years past, I have made the effort to go out on a regular basis to listen to music. This last year I have sunk all my money into my busines and it's been hard to go out, but some things I can see for free and some gigs I just have to ante up and get a ticket for.
Last night I saw Javon Jackson with Benny Green and Al Foster at Jimmy Mac's club. The bass player was badd. Couldn't catch his name. Young cat, Corneilius? I don't know, he burned. How could you not, standing next to living legend like Al Foster?
Benny Green... Benny is one sick puppy!!
Anyway, Javon has been on my short list of guys to check out for a long time and so I had to go. I wasn't alone. There were quite a local heavy players in the audience too. I used to be such a critic when I was younger that I just picked every thing apart and anylized it to death. It almost wasn't enjoyable for me to hear bands. I always had this little voice in the the back telling me that either I should be up there playing the gig, or dang that MF would blow me off the stand. If it was really good, I'd be trying to take mental notes, rather than just be there and enjoy. Maybe that was mostly when I was a working player. Now, it's just not how I tick.
I had such a great time. Javon is solidly out of the Coltrane School. For me that ain't a bad thing. There were times when he sounded just like a young Trane from the Blue Trane period. Yeah, he quoted some licks verbatim and maybe a little plegerism was going on, but he sounded so good. Then, in the next phrase he would be himself, his own distillation of all his listening, playing and study of the music. Even when he ripped ideas directly from solos (I had the feeling that he has done a ton of transcribing), his understanding of how to play the horn, jazz conception, composition, soloing, band leading, group listening, made it all his own. In reflection, I could make the argument that parts of his playing were better or cleaner than Trane's.
They played Good Bait, some Stevie Wonder, Paradox, Flack/Hathaway's Where is the Love, Mr PC and Randy Weston's Hi Fly. It's easy to be critical and tear someone or something down, but this was just FUN. This group held your attention like a vice and after the set was over I felt like the Soul Vaccination had hit.
Portland has a great music scene, but it is still a little off the beaten path of most of the world class touring artists for the most part. Last week I saw Sonny Rollins and I'm still buzzing from that. Couple weeks back I saw Larry Carlton/Robben Ford, Tower of Power, David Sanborn. Last month I got to see Plaz Johnson and a local tenor player named Renato Curanto that should be on the national scene but is just hangin', raising a family and playing his butt off. Earlier in the year, I saw Chick Corea/Gary Burton Duo... Whew!
Who have you seen? Who do you buy a ticket for and stand in line to see?