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Nothing at all wrong with sticking with just the bari. I love the sound of a baritone sax when played well! I've been strictly a tenor player for the past 20 years or so (played both tenor & alto before that, but mostly tenor). Even though I never got a bari, if I had to choose one horn other than the tenor, it would be the bari. And I don't think it would cost you any gigs. It might actually be a benefit, since there aren't that many bari players and you can certainly cover all styles, but especially jazz, blues, and R&B, on the bari.
Several years ago, I saw the great blues/jump blues guitarist Duke Robillard at Yoshi's and he had a fantastic sax player (I don't remember his name, unfortunately) in the band. On the first set, he played tenor. Then on the second set he switched to bari. He could really play the big horn! And the crowd definitely reacted favorably to it, me included. So yeah, go for it and stick with that horn.
Several years ago, I saw the great blues/jump blues guitarist Duke Robillard at Yoshi's and he had a fantastic sax player (I don't remember his name, unfortunately) in the band. On the first set, he played tenor. Then on the second set he switched to bari. He could really play the big horn! And the crowd definitely reacted favorably to it, me included. So yeah, go for it and stick with that horn.